For example, there's no word emocionó in English, so I have to say, "You, you really emotioned me," It's more precise, even though it sounds odd. "My father emotioned me." Or "That performance really emotioned to me."
Even though you don't understand what I'm saying, you are going to really feel it. The same thing happened to me when I used to listen to English music. I didn't even understand one word. You know? But it just makes me feel great.
We changed it to emocionó, the way you say in Spanish, "to emotion me" [to be moved]. That, as opposed to "haunt." We wanted the feeling of sadness and grief and obsession, so we used emocionó.
People still text me to say that there is something about me in the paper, and what really annoys me is that if it's nasty, I then have to go and have a look, even though actually I don't want to know.
We sit for a few more moments, although there's really nothing left to say. This is new to me, too, an entire conversation that takes place in silence, because the heart has its own language. I will remember what Eric says even though he doesn't say a word. I will tell it to her.
There was very little drama and performance at my school, so I've never forgotten the people who did encourage me and I've thought whether it would be a good idea to even get in touch with them and just say thanks, because they really opened a door for me mentally and emotionally - that's really important.
I didn't want to be part of that tradition of French cinema that wasn't really watched by the people of my age. I didn't really care to be in the last André Téchiné or Claude Chabrol movie, even though some of them are really interesting. For me, it was much more important to work with Mathieu Kassovitz or Gaspar Noé. It was for me a question of identity.
I wasn't going off to New York to be more famous than my father, but in retrospect, that certainly was driving me. He was famous in Philadelphia, but it was also really important to him to be famous. And to a certain extent, I got some of that, even though there were parts of it that horrified me.
My father was a man of love. He always loved me to death. He worked hard in the fields, but my father never hit me. Never. I don't ever remember a really cross, unkind word from my father.
Public people are definitely captives. It wasn't really my ambition, but that's what happened. If I could find another word that would be more precise, I'd tell that I'm captive of my need for acknowledgement. People ask me, "Isn't it terrible to be famous?" Not for me! I sort of need it. To be honest, I always enjoyed it. It's as if it gave me some structure. It's as if I needed someone else's eyes to look at myself.
I really love to drive. It's really hard for me to be a passenger, even though I get to look around a little bit more, but I've gotten really good at driving and looking.
I really love to drive. It’s really hard for me to be a passenger, even though I get to look around a little bit more, but I’ve gotten really good at driving and looking.
I feel really - actually - quite terrified about the world as it now exists. The kind of sucking the world dry for a dollar seems to me to be even worse (though it was hard for me to imagine 30 years ago that it could get worse) and the idea that bling and profit over human beings is really more and more a credible idea; people don't even examine it with any kind of question: I find that really terrifying.
I'm not political in the sense of activity. My activity, I guess, are the films. I can't really say if I'm worried or a bit optimistic. I think in a funny way I'm a little bit optimistic because even though nothing has really changed, and even though the governments keep changing and there's always chaos in the Arab world because it's not easy to cope with politically, for me it's really interesting.
When people spot me, they are really warm. They acknowledge me with smiles and come up, even now, to tell me that I showed a lot of dignity in 'Big Brother.' Or they say, 'I voted for you to win!' which is really sweet.
A lot of Indian fathers don't know how to show affection. My parents really do love me, even though my dad has never been able to say those words to me.
When I go to a show, all I really want is to hear a performance that sounds legitimate, and not just going through the motions. I'm not sure any amount of jumping up and down really persuades me in either direction.