A Quote by Sandra Cisneros
I find myself using Spanish words much more now that I'm older, and I guess I have the authority to do it in public spaces in ways that I felt I couldn't when I was teaching here fifteen years ago.
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We've been using vaccination in some form for hundreds of years now. We have almost nothing in our modern medicine that we've been using that long, and it's been consistently productive even though, you know, the older vaccines were much more dangerous than vaccines we're using now.
I photograph in public and semi-public spaces that date from various epochs. These are spaces accessible to everyone. They are places where you can meet and communicate, where you can share or receive knowledge, where you can relax and recover. They are spas, hotels, waiting rooms, museums, libraries, universities, banks, churches and, as of a few years ago, zoos. All of the places have a purpose, as for the most part do the things within them.
With a poem you can say 'I got my feeling into words for myself. I now have the equivalent in words for that much of what I have felt.'
Singing in Spanish is much more honest, much closer to my roots. For me, Spanish is essential. I still think in Spanish, dream in Spanish. It's the melodies and arrangements that transmit meaning.
I think there's definitely much more opportunities for women now to find a role in 30s and 40s both. I think you're starting to find people really seeing that - here's the thing. It's hard for me to say and know the experience how it was ten, twenty years ago because I was only in my teens and my 20s, but I know from watching TV myself and watching film myself I see a lot more 30s and 40s on screen, which just makes me very, very happy. It's what we should be watching.
In the ordinary jumble of my literary drawer, I sometimes find texts I wrote ten, fifteen, or even more years ago. And many of them seem to me written by a stranger: I simply do not recognize myself in them. There was a person who wrote them, and it was I. I experienced them, but it was in another life, from which I just woke up, as if from someone else's dream.
Without any extraordinary effort of genius, I have discovered that nature was the same three thousand years ago as at present; that men were but men then as well as now; that modes and customs vary often, but that human nature is always the same. And I can no more suppose, that men were better, braver, or wiser, fifteen hundred or three thousand years ago, than I can suppose that the animals or vegetables were better than they are now.
The world has changed - through technology, through wine-making techniques, the quality of wine is greater than it's ever been. Whereas ten, fifteen years ago it was very easy to find lots of bad wine, it's kind of hard now. The technology, the science - it's like, are you kidding? We're in the golden years of wine!
Sometimes I think I was more in control of my life years and years ago, and yet one should make progress; one should learn more every year and become…well, if not happier, then calmer and more able to handle your problems. But I’m not. Sometimes I just seem to make more problems for myself. I do. It makes me feel I haven’t grown up as much as I should have by now.
I got out of the music industry many years ago. I had a charlatan for a producer who I wanted nothing to do with. He's dead now, so I guess I can't beat that horse any more. It left a very bad taste in my mouth, so I just went on about my business doing what I do and not involving myself with record companies, except for distribution.
It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years.
I guess I don't think about age too much. I've always felt older than I really am anyway. I'm not dreading getting older. I don't miss the anxiety of being younger and not knowing what you want or where you’re going.
Women ten years ago were much more of the household property than is the case now. It's not to say that if you go backcountry you don't also find that. And there's a tremendous education campaign that is needed to apprise women of their rights.
What's interesting about art in public spaces is that the public really sort of takes over and uses it in ways that you didn't anticipate.
I find myself more and more relying for a solution of our problems on the invisible hand which I tried to eject from economic thinking twenty years ago.
I was aware that the teaching of drawing was being stopped almost 30 years ago. And I always said, 'The teaching of drawing is the teaching of looking.' A lot of people don't look very hard.
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