A Quote by Sandra Tsing Loh

All autobiography is fiction. — © Sandra Tsing Loh
All autobiography is fiction.
I write fiction and I'm told it's autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.
to look back on one's life is to experience the capriciousness of memory. ... the past is not static. It can be relived only in memory, and memory is a device for forgetting as well as remembering. It, too, is not immutable. It rediscovers, reinvents, reorganizes. Like a passage of prose it can be revised and repunctuated. To that extent, every autobiography is a work of fiction and every work of fiction an autobiography.
All fiction is largely autobiographical and much autobiography is, of course, fiction.
I don't view my memory as accurate or static - and, in autobiographical fiction, my focus is still on creating an effect, not on documenting reality - so 'autobiographical,' to me, is closer in meaning to 'fiction' than 'autobiography.'
Of all forms of fiction, autobiography is the most gratuitous.
I think I do more fiction than autobiography.
Why is autobiography the most popular form of fiction for modern readers?
Every autobiography ... becomes an absorbing work of fiction, with something of the charm of a cryptogram.
Obviously, in marketing, the best tool is to show the autobiography in fiction. It's inevitable how that happens, but it's generic. Say I've written a story where my sister dies. 'Well, did your sister die?' No, she did not. But people use those straws to grasp at the difference between reality and fiction.
Travel books are, by and large, boring. They lodge uncomfortably between fact, fiction and autobiography.
An autobiography can distort; facts can be realigned. But fiction never lies: it reveals the writer totally.
I'm drawn to fiction that hints at nonfiction, that blurs or seems to blur the boundaries between invention and autobiography.
There is an element of autobiography in all fiction in that pain or distress, or pleasure, is based on the author's own. But in my case that is as far as it goes.
Thus, in a real sense, I am constantly writing autobiography, but I have to turn it into fiction in order to give it credibility.
With fiction, the works of women are often over-interpreted as autobiography, especially when the main character is a woman, especially if she is seen as privileged.
'Dreams from My Father' was not a memoir or an autobiography; it was instead, in multitudinous ways, without any question a work of historical fiction.
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