A Quote by Sandra Tsing Loh

In my case, when it arrived at 49, perimenopause was terrifying and like nothing I had ever before physically experienced. — © Sandra Tsing Loh
In my case, when it arrived at 49, perimenopause was terrifying and like nothing I had ever before physically experienced.
Look, America was a narrowly divided country in 2000;49-49 was what Michael Barone called it. It's a 49-49 nation.
She had never experienced the pain of unsatisfied desire before. It hurt. It hurt like nothing she'd ever felt, and there seemed to be no remedy
The "discovery" of poverty at the beginning of the 1960s was something like the "discovery" of America almost five hundred years earlier. In the case of each of these exotic terrains, plenty of people were on the site before the discoverers ever arrived.
I've seen a lot of miracles, and I have experienced a lot of things with Jesus, but nothing I have ever experienced in my corporate community life with other believers can compare with just me and Him in my kitchen early in the morning before the sun comes up.
I've never had an 'I've arrived' moment. I don't like that word, 'arrived.' If you say you've arrived, then you've achieved your dream. You've done all you can. 'I'm the guy now.' I don't like that.
Her joy with him was like nothing she had ever experienced. His love for her felt like a miracle.
I had never experienced anything like it before and I don't think I have experienced anything like it since [on Ruapehu]. It was my dreams coming true in a way, and from there on I tended to become more of a doer than a dreamer.
So today we celebrate the gift of victory over every fall we have ever experienced, every sorrow we have ever known, every discouragement we have ever had, every fear we have ever faced-to say nothing of our resurrection from death and forgiveness for our sins. That victory is available to us because of events that transpired on a weekend precisely like this nearly two millennia ago in Jerusalem.
I have come to believe there is nothing in the lives of human beings more terrifying than war and nothing more important than for those of us who have experienced it to share its awful truth.
When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and that I knew how to make films, but I had no proof.
All these words we use, anybody can be a genius now. It used to be you had to have a thought no one ever had before or you had to invent a number. Now, it’s like, “Hey, I’ve got a cup in case we need another cup.” “Dude, you’re a genius!”
The case of Andrews is really a very bad one, as appears by the record already before me. Yet before receiving this I had orderedhis punishment commuted to imprisonmentand had so telegraphed. I did this, not on any merit in the case, but because I am trying to evade the butchering business lately.
In the case of my second film The Fish Child (El Niño Pez), I had written the novel about 5 years before I made into a film. In the case of The German Doctor I had published the novel a year before I started writing the script, I even had another project to shoot. But I had this idea of the powerful cinematic language from the novel that I couldn't let go of.
X-Men is massive, like nothing I've ever experienced. But great in its own way.
There were incredibly complex societies already existing in North America long before Europeans arrived. So many people think that before European contact it was just Natives huddling around a fire, waiting for civilization to come save them. But that was not the case.
Everything in his life had come down to the sensation of her fingers against his. The person he was, the history he carried within himself, every joy and grief he had ever experienced, slipped way like an irrelevant garment. He was nothing but skin, speaking to another skin, and between the skins there was no need to find any words.
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