A Quote by Sandra Tsing Loh
I think that in L.A., one thing that nobody will ever talk about is, for instance, how just one in five kids in L.A. County is white, so when you're looking out there, it's a very brown city.
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Sixty-five days principle photography, five-day weeks, which is the only way I'll work. With my cinematographer Russell Boyd, we take as much time as possible before pre-production, looking at stills. The next most important thing: he will come to me and talk about lenses. And I'll see his plan, which is generally great, and I might talk about how the light will be, handheld or not? I talk very freely, and try not to talk specifically, just talk around it, because it can unlock all sorts of things.
After I outlined 'Catering to Nobody,' I went and worked for a caterer. And the other thing I had to do was to talk to the Jefferson County Sheriff's Department about how they investigated a crime.
But when you talk about the education and you talk about the lack of recreation for kids to do, I mean, it's second to none in New Orleans when you talk about the lack of opportunities for young people. And it's not just black kids, it's white kids. It's Asian kids. I had Vietnamese kids in my class that had lack of opportunities.
I remember the first thing I did when I found out I was illegal was to get rid of my thick Filipino accent. I figured that I had to talk white and talk black at the same time, like Charlie Rose and Dr. Dre. If I can talk white and black then no one is ever going to think that I'm "illegal."
If I could, I'd go city by city, county by county, town by town, and talk to people to explain to them what immigration is really about - that this is not about me, this is not about us, this is not about us taking something from you. This is not about us being a threat to you. This is not about Democrat or Republican, and this is not really about border security. But in some ways our politics, and in many ways our politicians, have gotten in the way.
I'm not like most comedians. I don't deal with just heckles - I'm also dealing with threats and anger. Here I am, a brown person on stage being quite blunt. I talk about white privilege; I talk about U.S. imperialistic practices; I talk about colonialism. I'm not saying things that are easy for people to laugh at.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
~You know how parents rattle on to you about, 'Oh, you won't believe your life will never be the same,' and you think, Why can't these people just get over it? All they're doing is yakking about their kids. It's such a bore. And then you have kids and you just want to do the same thing.~
I have white friends who have the Confederate flag on their license plates, and I have no issue with that if they see that as a matter of heritage. But I do not think it should ever fly over a state, city, county building, or school, for the simple reason that it represents secession from the Union.
We're in this business to make money, but then nobody wants to talk about how much money we're making. That's serious, but nobody will talk about it.
Puddleglum,' they've said, 'You're altogether too full of bobance and bounce and high spirits. You've got to learn that life isn't all fricasseed frogs and ell pie. You want something to sober you down a bit. We're only saying it for your own good, Puddleglum.' That's what they say. Now a job like this --a journey up north just as winter's beginning looking for a prince that probably isn't there, by way of ruined city nobody's ever seen-- will be just the thing. If that doesn't steady a chap, I don't know what will.
What Jazzy Jeff and rappers like him talk about is phony stuff. They're not into street raps, into telling what's really happening out there. They're talking about what the white world and the white kids can identity with.
I think as much as the city is changing us, our experience inside the city also changes. I think, a city like Cairo - and it's interesting because yesterday, a friend of mine told me the same this thing about New York - is a city that you can't control. It's very bold and very aggressive, and it will constantly resist any attempt at control. But even though you can't control it, you can find your path within the city. You can come to a better understanding of your relationship with it.
I think it's somewhere in my head, in my travel space, and it just comes out. It's a visual thing that happens unintentionally. People will tell me, "You do realize you just spoke with that accent, right?" And I'll go, "Oh, did I?" So it's not something I think about. As we talk, I have a visual about my speech and it just comes out like that. If that makes any sense!
People are hungry, and they're hurting and they're very, very worried about their children. Will their kids ever pay off their student debt? Will their kids ever get a decent-paying job? I think Democrats have got to be running a grass-roots campaign - mobilizing people and being prepared to take on the 1 percent with an agenda that speaks to the needs of ordinary workers.
When I talk about 'working class,' I don't talk about 'white working class,'. I talk about 'working class,' and a third of working class people are people of color. If you are black, white, brown, gay, straight, you want a good job. There is no more unifying theme than that.
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