A Quote by Sanford Meisner
If you want to reach every person in the audience, it's not about being bigger, it's about going deeper.
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I feel lucky I didn't become that newspaper cartoonist I wanted to be because in the U.S. so many newspapers have suffered circulation declines, and some have folded. What's fun about being an author is I reach a much bigger audience, and there is something special about launching a book you've penned.
Every film that gets made, and I'm not just talking about 'Star Wars,' I'm talking about Marvel, DC, every tent pole film - they seem to just keep getting bigger and bigger and bigger and bigger. The worlds get bigger, the stakes get bigger.
I want deeper connections with the people around me. I need to reach out more. Because not everyone leaves. Sometimes if you reach out, the person you’re trying to reach will be right there waiting.
If we're going to reach a broader audience, we have to stop thinking about that audience strictly in terms of teenage boys or even teenage girls. We need to think about things that are relevant to normal humans and not just the geeks we used to be.
I think when you're really passionate about something, and maybe not every person is like this, but I think there's a large group that feels deep inside, I want something different, I want something more, I want to go on my own path. It's being comfortable being uncomfortable. Because to do that, you're going to have to jump outside of the comfort zone and it isn't going to be perfect. It's going to be scary. And to me, that's when great things happen.
I personally enjoy theatre, but preferably I do films so that I can reach up to maximum audience. If you want to give a serious message, it will reach out to maximum people through films. But through theatre, you can hardly reach out to about 3,000 audience at a time.
I get an opportunity to communicate with the audience about the movie that I've made. I get the chance to bring attention to the film that I've made. I care a lot about the movies that I make. I want them to reach an audience, and I want them to be successful. I promote nearly everything that I do, unless I've got some bad taste in my mouth.
I test the movies a lot, and if the audience says they love the movie, we know we're on the right track. And if they tell me they hate it, I try to figure out what I've done wrong. But every time out, the audience wants me to go deeper, they want to know more about the characters, and they don't want these movies to be shallow. So they really urge me to tell them a complicated story, and then when I do so, they're thrilled
That's one thing brands are understanding is, I'm the blogger who's not writing about fashion. I'm not writing about beauty. I'm not writing about gossip. I'm not writing about politics. I'm writing about all of that. I'm the person they can come to if they just want to reach people who care and have their fingers on pop culture.
Cry Baby is a character so I think that the next album is going to be about a specific thing in her life or another place in her world. It's going to be a bit deeper into a bigger picture.
I paraphrase Aristotle: If you want to be comical, write about people to whom the audience can feel superior; if you want to be tragical, write about at least one person to whom the audience is bound to feel inferior, and no fair having human problems solved by dumb luck or heavenly intervention.
I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. To try to think of what makes for entertainment is a very Japanese thing. The people who think like this are old-fashioned. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist
Bhojpuri industry is my motherland, and I would keep doing more regional films. But I also want to reach out to a bigger audience.
The one thing that I love about the live audience is the energy level. Like, from the minute of cast introductions, it's just constant energy being traded back and forth. When you do something funny, the audience laughs; when you're being serious, you can, like, feel the tension going through the audience.
It's crazy all the dreams you have about what you want to do, how you want to do it, and when you're going to do it. As a child, you never know the date or that one person who's going to take you to the next person, who is going to put you in position and give you that one opportunity.
It's not about going to church every week because you know there's a lot of people who go to church all of the time who aren't going to heaven. It's not even about that, it's not about kissing God's ass, it's about being aware.
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