A Quote by Sangeetha Krish

Dhanam' is one of the interesting scripts that I came across. It centers around me. — © Sangeetha Krish
Dhanam' is one of the interesting scripts that I came across. It centers around me.
There was really interesting work going on, for example, in the Mississippi bayou, where there were some really exemplary health centers that also became centers with kind of political organizing.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
My vision for the future always centers around our children - it always centers around our children. So anytime anybody asks me what are the three most important issues facing the Congress, I always say the same thing: 'Our children, our children, our children.'
I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
In boxing, Mike Tyson fascinates me. The attitude and confidence that he could not be beaten when he was heavyweight champion of the world was interesting. He came across as very mild-mannered, and much of what he said made sense.
That is what I seek, to essay interesting and challenging characters, which develop me as an actor and at a personal level to work with people who inspire me to push my boundaries and work on interesting scripts which which turn into refined work of art and leave a mark on me and the audience.
I ran for political office in the Hamptons once in a war I was having with the village. I came in, there were four people running, and I came in around third. It was over my food market - they arrested me. I just wanted to go for office because I thought it would be an interesting to do.
I was walking across King's Cross station when a drunken Irishman came stumbling up and flung his arms around me. He wanted to thank me for the peace process in Northern Ireland.
I always try to pick up interesting scripts, and thankfully, I have been lucky to get scripts like 'Pyaar Ka Punchnama,' 'Akash Vaani', and 'Sonu Ke Titu Ki Sweety.'
When you're younger, you get scripts that you are too young for and now I'm getting scripts, which I think, "I'm too old for this character." They can always shift things around to make it work and make the ages work. But I'm definitely getting more complex and interesting roles and less what you would expect. So I can experiment more and have a bit more freedom when I'm putting things on tape.
I was reading scripts, doing coverage, for CAA. Reading hundreds and hundreds of scripts across the board, from blind submissions to 'Brokeback Mountain'. It was not always a pleasant task but something, in hindsight, I'm glad I did.
Although Bill Finger literally typed the scripts in the early days, he wrote the scripts from ideas that we mutually collaborated on. Many of the unique concepts and story twists also came from my own fertile imagination.
It's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
I get a script and it's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
I thank my directors who keep faith in my acting credentials and give me roles like I did in 'Uyir' and 'Dhanam.'
I am very happy to be working with so many talented directors and writers, who are penning scripts that are interesting for me.
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