A Quote by Sangeetha Krish

I politely refuse to be part of movies where I have to do sister or sister-in-law to protagonists. — © Sangeetha Krish
I politely refuse to be part of movies where I have to do sister or sister-in-law to protagonists.
In the Augustan age ... poetry was ... the sister of architecture; with the romantics, and their heightened vowel-sense, resulting in different melodic lines, she became the sister of music; in the present day, she appears like the sister of horticulture, each poem growing according to the law of its own nature.
When I was in theater school, we did these relationship exercises - you would play my sister, and I'd give you all this information about my sister, and then we'd get up and perform this scene, and you'd pretend to react as my sister. It was like therapy!
One sister for sale, One sister for sale, One crying and spying young sister for sale I'm really not kidding so who'll start the bidding Do I hear a dollar? A nickle? A penny? Oh isnt there isnt there isnt there any One person who will buy this sister for sale This crying spying old young sister for sale.
Your relationship with your sister-in-law is hingeing on your brother's - or your sister-in-law's - ability to keep that relationship together.
My whole family is very art-based. My sister runs a gallery, my other sister works for PACE in New York, my other sister is a sculptor. I'd say the ending one is me because that's the artist and the artist feels a lot.
In English, there is one word for sister. In Chinese, there are two separate words, for elder and younger sister. This is actually a translation problem because if you see the word sister, you don't know how to translate it to Chinese because you don't know if it's an elder sister or younger.
My sister and I cooked a lot together; my sister was a very healthy vegetarian. She was always a real good teacher for me about organics, recycling, composting -whenever you hear me talk about it, it's usually because of my sister's influence.
I remember when I was writing 'The Tin Drum,' I had the totally misguided idea of giving Oskar Matzerath a sister, and he just wouldn't have it. There was no space for a sister, yet I had the character of the sister in my head. In fact I used her in later novels, in 'Cat and Mouse' and 'Dog Years,' Tulla Pokriski.
My sister was an athlete. Every time she came home during her break, I would accompany her. Initially, I took part in school sports, but gradually, my sister encouraged me to take it up professionally.
My sister is my sister regardless - has always been and always will be and has no choice about it. This is a love quite distinct from that of a lover, with whom we fall in love, in part, because they are free and have a choice.
I've got a sister who races motorcycles and another sister who's a Holy Roller preacher.
My parents are professors. My sister is a Ph.D. student. My other sister has a business.
For you where never my blood sister so no more shall I call you little sister
Never praise a sister to a sister, in the hope of your compliments reaching the proper ears.
My sister, I have a sister who's 12 years older, she was always the party girl, the outrageous one.
I started studying music at the age of five and a half. My older sister was taking piano lessons. When her teacher left our apartment, I would get up on the piano bench and start picking out the notes that were part of my sister's lessons
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