A Quote by Sangeetha Krish

I just did what the script demanded from me in 'Uyir.' I felt it was indeed a challenging role for me. — © Sangeetha Krish
I just did what the script demanded from me in 'Uyir.' I felt it was indeed a challenging role for me.
When I did 'Uyir,' I initially feared to do it. It was a controversial role. But thanks to my friends, they motivated me and helped me come out with aplomb.
Whatever role was offered to me, I adapted well and did it with elan. A vamp's role is challenging, but a mother's role is comparatively easy.
For me, the first thing is script. When I heard 'Mom''s script, it really touched me and moved me. I felt really nice about the story. That's the reason I did the movie.
In 'Puthran', a film by Jayabarathi of 'Kudisai' fame, I had shared the screen space with veteran Y Gee Mahendra. It is a very challenging role which demanded a lot from me.
Sometimes you read the script and you feel that this is a challenging role but at times you feel that this one was written for me.
I thank my directors who keep faith in my acting credentials and give me roles like I did in 'Uyir' and 'Dhanam.'
My parents, they're the kind of people that didn't want me to get a big head, so they just kept challenging me and challenging me.
I was approached by the filmmakers. I didn't know much about the project ["Selling Isobel"], and the more we talked, the more they started to confide in me. I read the script and thought it was really interesting, and then a week later I discovered that this wasn't just any old script, this was actually Frida's [Farell] story and she was trusting me to tell it. I felt very privileged.
I first started removing the 'she,' 'her,' and 'hers' pronouns from my online material. I was just using my name in place of a pronoun, and that felt really good. Then I read the script for 'Billions' and did a little more research into non-binary, and it just really clicked for me.
In 'W,' I did not change a word in the script. I have never spoken this much in other series. I just stick to whatever is written. I always carry the script with me and read it before I sleep.
To be able to prove my credentials of a dramatic actor, I took up roles which were different and challenging. I've never repeated a role, even if it did well for me.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
I went through a political shift when I was nineteen or twenty. I felt a certain way, and after the shift, I felt the opposite way. And never once did someone yelling at me or making me feel stupid do anything other than reinforce the convictions I had. What did get to me was people listening to me.
I'm happy to be getting accolades for my role in 'Endrendrum Punnagai;' I'm getting powerful roles and would star glamourously if the script demanded so.
We have a wonderful film lined up early next year called 'Desi Magic.' It showcases me in a double role for the first time. This movie has offered me the most challenging role of my career so far. It's weird I chose to do my toughest film with my own production house.
If the role is complicating and challenging enough for me to push me out of my comfort zone, then I get very excited.
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