A Quote by Sangeetha Krish

Krish is very simple and down-to-earth, loves me and respects my work as an actress, so much that he gets offended when people criticize my performances. — © Sangeetha Krish
Krish is very simple and down-to-earth, loves me and respects my work as an actress, so much that he gets offended when people criticize my performances.
Dhanush is a movie star, but like my father, he's very different. In fact, I saw a lot of my father's qualities in him. He's simple, down-to-earth and respects his work a lot.
I have a very down-to-earth father. My wife is an actress and famous herself is more down-to-earth than anyone I know.
People connect me with intense roles and performances; a thinking actress who only does serious work.
When people do not respect us we are sharply offended; yet in his private heart no man much respects himself.
Janhvi is a very sincere actress. She respects me a lot, and I, too, respect her for the sincerity and commitment towards her work.
And luckily, for whatever reason, I've found people who are interested in living with and owning and existing around the DNA of my mind, which is my visual work. I've found collectors who are willing to put money down to live with my work. So I can't criticize the whole mechanism. But I can criticize it as an artist, in spite of the fact that I benefit from it. And there are problems with it.
That's very cool. Well, that's great. If I were to cater to Kanye, he would know that I'm catering to him. The fact that I make what I make - he gets it. He gets the quality and he respects it. And I think that's the key, why I work all the time is to do that. That's the fun.
My dad's side of the family had lots of artists and musicians. There's an emotional, quite sentimental quality to Slavic culture. It's very open, it loves art, it loves music, it loves literature. It's very warm, it's very up, it's very down. I would celebrate that.
I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.
People I love and trust advise me to just drop off the face of the Earth for an extended period of time, and maybe that will calm or cool things down. But my work is very public work.
You work on an idea, your first interpretation is very raw and you work it and you work it and it gets polished and polished. It gets to a certain level and then it comes down off that peak.
If people criticize me because they don't like how I break down one of Giancarlo Stanton's at-bats, OK. If they criticize me because I'm a woman, that's not OK.
I know that my image and my clothing and my output are very colorful and can be arresting and startling in some respects. That is the nature of my work, but I am a simple farm boy, and I am very calm by nature.
Every moment I spend in Philly, it's amazing. The city respects us, respects sports, respects hard work.
I'm working in this very complex set of issues having to do with who we are as a species and how much we can do to the Earth before it starts to buckle under. My work can easily read as an indictment, but I don't see it as that simple a problem.
This career essentially chased me down while I was on the spoken-word scene in New York. I kept hearing that my delivery of my poetry - which was very personal and cathartic at the time- was very moving to folks. People thought that I was an actress because of my delivery, when I was just dropping into the work and really pouring out my soul.
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