A Quote by Sangeetha Krish

I had acted opposite Sathyaraj in 'Uchchi Thanai Mugarndhal.' It was a role which some actresses refused to do. — © Sangeetha Krish
I had acted opposite Sathyaraj in 'Uchchi Thanai Mugarndhal.' It was a role which some actresses refused to do.
And then, going to high school, I saw how popular girls had to behave to get the boys. I knew I couldn't fit into that. So I decided to do the opposite. I refused to wear makeup, to have a hairstyle. I refused to shave. I had hairy armpits.
My father has acted in over 700 films. My mother acted in one film, 'Kismat with Mithun Chakraborty,' in which my father also had a role. My father fell in love with her and would drive her around in his sports car, and they subsequently got married. My mom is the most beautiful woman and I think she has taken some serum to look young all her life.
I saw several actresses play the part. I did not in fact, as far as I know, do anything that any of the other actresses did. I don't think actresses do that. I think that what we do is we see a role as a role, we don't see it as a person. We look at the role and think, 'What can I, as an actor, bring to that part?
All the roles that I have acted in were all special in a different way. But the role of Ri Jeong-hyeok had more warmth and innocence compared to the other roles that I have acted. I think it was more special in terms of expressing the role.
The Holy Father has acted as the Vicar of Christ and acted like Christ himself, who never refused to talk to anyone.
I never acted in anything I've directed but I have produced a number of films and I have acted in some of the movies I've produced. Usually with first time filmmakers and pushing a move forward I have played a small role but never the lead.
Raphael lifted a finger, tracing it over her cheekbone. She flinched. Not because he was hurting her. The opposite. The places he touched ... it was as if he had a direct line to the hottest, most feminine part of her. A single stroke and she was embarrassingly damp. But she refused to pull away, refused to give in." (page 33 , Gollancz edition)
Elizabeth Moss may very well be one of the best actresses I've had the privilege of standing opposite and sharing lines with.
With the films I've done, I've written on them, I've acted in some of them. And even ones I haven't acted in, I've acted them out just to be sure another actor can do them.
I acted when I was young, but at 19, I had my own theater company where I acted but also directed. I also did some theater in Los Angeles. So I was always wanting to direct, even before I became an established actor.
I played Nina in 'The Seagull,' and I remember thinking it's incredible to see all the actresses in the past that've played her. It's quite strengthening. You feel a part of the family of actresses going through and giving something of themselves to the role.
He had learned from experience that what he succeeded in putting down on paper was only ever a pale reflection of what he had imagined, and so he had come to accept that this would only be half as good as the original, half as acceptable as the flawless, unachievable novel that had acted as a guide, and which he imagined pulsating mockingly behind each book like some ghostly presence.
I refused to pair with a Tory MP, I refused all foreign junkets and I've never had a drink in a Westminster bar.
Lizzie Magie was a pretty astonishing woman. She was an outspoken feminist, she had acted, she had done some performing, she had written some poetry, and she was a game designer.
I know some black actresses who have to wait every 19 films for a role. I can be cast in practically every one as a young white male.
Cole, who had kissed me. Cole, who had refused to discuss it afterwards. Okay, fine. I had refused. Cole, who was driving me flipping crazy.
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