A Quote by Sania Mirza

I like interior decoration, so I might do something in that. I might, at some point, take two years off to study interior decoration. — © Sania Mirza
I like interior decoration, so I might do something in that. I might, at some point, take two years off to study interior decoration.
I am going in now for interior decoration. By that I mean supplying objets d'art and giving advice regarding the decoration of their houses to wealthy persons who do not have the time, inclination, nor culture to do such work for themselves. It is nothing new. Women have done the same thing before.
A great novel is concerned primarily with the interior lives of its characters, as they respond to the inconvenient narratives that fate imposes on them. Movie adaptations of these monumental fictions often fail because they become mere exercises in interior decoration.
A great novel is concerned primarily with the interior lives of its characters as they respond to the inconvenient narratives that fate imposes on them. Movie adaptations of these monumental fictions often fail because they become mere exercises in interior decoration.
I suppose the most marked example of color as structure is in the Byzantine use of mosaic decoration that becomes architecture. The decoration of the interiors so related to the form that they fuse. In less elaborate interior design this is always the ideal approach to color - used not only as just color alone.
Music is interior decoration.
I worked at Bergdorf Goodman doing interior decoration.
Interior decoration partly thrives on being social.
Prose is architecture, not interior decoration, and the Baroque is over.
No, painting is not interior decoration. It is an instrument of war for attack and defense against the enemy.
If we could understand the full significance of a woman's hat we could prophesy her clothes for the next year, the interior decoration of the next two years, the architecture of the next ten years, and we would have a fairly accurate notion of the pressures, political, economic and religious that go to make the shape of an age.
I think that all art is socially conscious. There is no alternative. Whatever we produce contains a political and social statement. There's no way to avoid that, unless it is pure decoration. But even pure decoration has also some value because you can read pure decoration as a way to ignore the reality that is around us, saying, "Well, I'm not interested. I just like to paint this wall blue.
I always think of music as interior decoration. So, if you have all kinds of music, you are fully decorated!
I didn't take care of the kids. I took care of the interior decoration of the house. I wanted to be an architect, so I curated that aspect of things. In the middle of the chaos, I moved things around and rearranged everything to find my order.
Find what gave you emotion; what the action was that gave you excitement. Then write it down making it clear so that the reader can see it too. Prose is architecture, not interior decoration, and the Baroque is over.
The modern scene in decoration is not a unified or controlled one. The unified control of the arts during the reign of Louis XIV no longer exists; today the designer is free to achieve a wider variety and more personal approach to the interior.
So I very quickly stopped almost all decoration. I was interested in the three-dimensional form of the pots, but my decoration was nonexistent.
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