A Quote by Sanjay Kumar
It didn't make a lot of sense for us to be doing Lotus Notes implementations.
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I take a lot of notes. Maybe it's a product of me taking so many notes, but I have a pretty good memory for episodes, and some of the other actors will ask me questions about things, so I have this sense of responsibility that I have to be the one to remember some of the details.
There is the mud, and there is the lotus that grows out of the mud. We need the mud in order to make the lotus.
For my fragrance, I knew I wanted something sweet but with a different side to it. I have a lot of vanilla notes and bakery shop scents, but then I also have muskier notes that make it a bit edgier. It's fun but also sophisticated.
I went through eight years of classical piano lessons without being able to read notes. I only have to hear a melody to be able to play it. It used to freak my piano teacher out when he finally noticed that notes don't make any sense to me and that I played by ear.
The way 'Lux' was made is that there are 12 sections in here, though two of them are joined together. So there are really 11 sections, in a sense, and each one uses five notes out of a palette of seven notes, and my palette is all the white notes on the piano. That was the original palette.
Love is the lotus, lust is the mud the lotus arises out of.
I was always playing the Hammond Organ back to front even during the days of the Nice, going back to 1968. Really what I was doing there, was choosing notes at random and trying to make some sense of them, improvising back to front.
Just think, Vishnu sleeps in the cosmic ocean, and the lotus of the universe grows from his navel. On the lotus sits Brahma, the creator. Brahma opens his eyes, and a world comes into being, governed by an Indra. Brahma closes his eyes, and a world goes out of being. The life of a Brahma is 432,000 years. When he dies, the lotus goes back, and another lotus is formed, and another Brahma. Then think of the galaxies beyond galaxies in infinite space, each a lotus, with a Brahma sitting on it, opening his eyes, closing his eyes.
I would encourage you as a screenwriter to trust your story and don't make notes for the actors or don't make notes for the reader.
I got things like the lotus position long before anybody else did, or at least in the mainstream. But I had fun. I guess my legs are pretty flexible, so I used to get a kick out of doing things like that. I would get into a full lotus with my legs and then roll around.
"What is my highest sense of right?" we can ask at any decision point in our lives and not worry about if this is going to lose us a lot of money or is this going to make us a lot of money or whatever.
If you come to Plum Village in the summertime, you see many lotus flowers. Without the mud the lotus flowers cannot grow. You cannot separate lotus flowers from the mud. It is the same with understanding and love. These are two kinds of flowers that grow on the ground of suffering
You can remain in the world for any number of years, but don't let the world take hold. Don't let the world take hold of the inside world. There is the example of the lotus. It stays deep down in the mud. It comes up to the light, and it can't stay without water because it would die. But it does not get mixed up either with the mud or the water. You have seen the lotus; even if the water comes it just goes off again. Now, when they talk of God, they always say 'the lotus eyes, the lotus feet' because of this inner significance.
It's like growing lotus flowers. You cannot grow lotus flowers on marble. You have to grow them on the mud. Without mud you cannot have lotus flowers. Without suffering, you have no way to learn how to be understanding and compassionate.
I started using Notes [on my iPhone] but I do a lot of hand written notes. It's a very slow, accumulative thing.
You make mental notes. You're a coach, so you make mental notes from matchups, to who steps up in the playoffs to who doesn't, different types of players.
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