A Quote by Sanjeev Bhaskar
I started working myself from about 14, really, so I wasn't a burden on my family. I did a paper round and a milk round. When I was 15 or 16, I worked in a supermarket on Saturdays stacking shelves, and then every summer I temped, right through university until my working days started.
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I started doing a paper round when I was about 10. I started earning 10 pounds a week and then I was obsessed with earning money until I was about 15.
I started doing a paper round when I was about 10. I started earning $10 a week and then I was obsessed with earning money until I was about 15.
I started working as a kid doing dubbing, and then I started doing television when I was 11 or 12, and then movies, and I worked mostly in French, and then I started working in English, and then I moved to New York. So I think I managed to find a way to always make it a challenge for myself.
When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.
Once I reached about 14 or 15, I started to steady myself and get into a midfield role and carried that on until I was 17. Then I dropped into right-back, and I have played there ever since.
I was a good but not super serious student until about 10th grade, until I was about 14 or 15. Then I started to realise how competitive the world is. I started to meet kids who were more high-performing.
I actually met one of my business partners [Neal Dodson] at the Governor's School summer program, so we've known each other since we were 15 and 16 years old, and we both ended up at Carnegie Mellon together. He started working for a producer out of school after a few years, and then we started the company together.
I had the heaviest paper round in Ilkley, West Yorks, and if you look at my shoulders one is still lower than the other. I also did a milk round for a day. It was awful. I was a very surly milkman, because it was very cold, very dark and very early. I am a lark, not an owl, but not in winter when it's chilly. Apart from that I went straight into gardening at 15.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
After I graduated college, I moved to L.A. I started working for the Garry Marshall Theatre in Toluca Lake and did theater at the Hudson Theatre in Santa Monica. I paid my dues by working at every single restaurant in the Grove until they fired me. I worked an overnight shift at the Mondrian Hotel.
I started as a hoofer and all-round chorus girl. I did my first ballet lesson when I was three, then trained as a dancer and went into pantomimes and summer seasons. Acting came later.
I went to a state school in Christchurch, New Zealand, and then straight on to the University of Canterbury. But I worked part-time all the way through high school: first with a paper round, then at a fast-food outlet, a video store and a hardware store.
When I was 14 I used to have a calendar on my wall, crossing the days off until I was 15, because the school leaving age was 15. Then three months before I turned 15 they changed the leaving age to 16.
When I was 14, I used to have a calendar on my wall, crossing the days off until I was 15, because the school leaving age was 15. Then three months before I turned 15 they changed the leaving age to 16.
Last year I was 16, it was my first round of releasing music. Since then I've been working more on having an identity as an artist and really figuring out what it is that I want to talk about and how I want to sound.
First, I started taking dance classes, and then I started taking singing lessons. Then my mom put me into a year-round theatre program where I did seven shows.
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