A Quote by Sante D'Orazio
My process of working is that I don't create a picture, I find it.
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We all create expectations of what we would like to happen after a decision is made. The picture in our mind's eye might have served a valuable function in helping to make a decision. But once the decision is made, let the picture go. Since you can't control the future, the picture can create unhappiness if it's not fulfilled. Disappointment may make you miss the good that can come out of every situation in which you find yourself.
I try to find the picture, not create it.
We have to create a process which has legitimacy for the people of Syria. And we have to have a process where the Russians and the Iranians and the neighbors - all of them, Saudis, Turks, Qataris, a very complicated brew - that you have to bring them together and they can find agreement. That's the fundamental premise of the Geneva Communique that you will have, by mutual consent, a process of transition.
When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.
The process for writing a picture book is completely different from the process of writing a chapter book or novel. For one thing, most of my picture books rhyme. Also, when I write a picture book I'm always thinking about the role the pictures will play in the telling of the story. It can take me several months to write a picture book, but it takes me several years to write a novel.
There's something special about working with picture and adding music to picture that really takes you to a whole new level. It's always the director's picture first, and I'm there to help tell the story.
I think one of the aspects of photography that remains for me is I find the process still frustrating. The counter to that is that it's still very exciting. If you didn't have the frustration, you wouldn't have the excitement. If you didn't have the disappointment, you wouldn't have the magical intoxication of this process working.
I don't use recurring characters. I do get very interested my characters while I'm working with them, and I find the process of fitting them into a story, and allowing them to create the story around themselves, fascinating. But no, I don't imagine they have a life outside of what I make for them.
And those moments that I find mind busting. Meaning like there's a word that I find in a weird place. I love the process of going to the writer and working that out, because that's just basic communication.
I think what we're hopeful is through this Syrian process, working with coalition members, working with the U.N., and in particular working through the Geneva process, that we can navigate a political outcome in which the Syrian people, in fact, will determine Bashar al-Assad's fate and his legitimacy.
I think the way kids create is so inspiring. They're drawing a picture? They love the picture they drew; they're not tortured about it.
Leave to the masters of art trained by a lifetime of devotion the wonderful process of picture-building and picture creation. Go out into the sunlight and be happy with what you see.
You're not turning the picture over to a system or a process, you are the process, and the most important thing is to have things exactly as you want them.
The process of creation becomes necessary to the painter perhaps more than is the picture. The process in fact is habit-forming
When you're working on a record, I find it's better not to share details during that process. Because, until it's done, it can change.
I have a funny relationship to the British working class movement... I'm in it, but not culturally of it... I was aware that I'd come from the periphery of this process. I was reluctant to go canvassing for the Labour party. I don't find it easy to say, straight, face to face with an English working class family: 'Are you going to vote for us?'
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