A Quote by Santhosh Narayanan

There are several forms of oppari, but cinema largely uses only one format. — © Santhosh Narayanan
There are several forms of oppari, but cinema largely uses only one format.
I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
I'm a huge fan of world cinema, because each country uses cinema in a very individual way.
Some people feel that the purpose of cinema is entertainment - which in itself is a healthy enough goal, provided you define what constitutes entertainment. But I come from a family where I grew up believing that cinema - art - should be used as an instrument for change and that's the kind of cinema I've largely done and been attracted to.
I have several computer companies. One of them I have a program for wide-format printing. I have a beauty program. So I have several different programs that I own for printing.
I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.
Narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verité is film in its purest form. You're taking random images and creating meaning out of random images, telling a story, getting meaning, capturing something that's real, that's really happening, and render this celluloid sculpture of this real thing. That's what really separates the power of doc filmmaking from fiction.
As a format, I have watched shows from the West. I have tried to understand what it is and how this format is treated by writers, directors, and actors. I have been studying this format for four to five years.
I think 3-D across the board both in a home format and cinema is, it's going to be very big.
Remember: TV is a format, film is a format, and books are a format.
I believe in cinema! Unfortunately, 90 per cent of Hindi cinema is non-cinema. Only marketing works here. Even the item songs in these films are an extension of marketing.
When people tell me they're trying to meditate, I always know they don't have a format yet that works. I encourage a real meditative format that you use daily, because meditation is incremental and it only works if done every day.
There is a narrow class of uses of language where you intend to communicate. Communication refers to an effort to get people to understand what one means. And that, certainly, is one use of language and a social use of it. But I don't think it is the only social use of language. Nor are social uses the only uses of language.
We can't keep thinking in a limited way about what cinema is. We still don't know what cinema is. Maybe cinema could only really apply to the past or the first 100 years, when people actually went to a theater to see a film, you see?
It seems to me that information is the thing which uses matter, uses light, uses spirit, uses whatever it can put its hands on to organize itself into higher and higher levels of self-reflection.
Art forms render ideas accessible to readers who could not receive those insights in any other format.
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