A Quote by Santhosh Narayanan

I was an independent musician for ten years before I became a musician for movies. — © Santhosh Narayanan
I was an independent musician for ten years before I became a musician for movies.
Getting to be a musician for ten years is very different from being a musician for a year. You get different stories, and have a different connection with the fans after ten years.
Well I'm a third-generation musician. My Grandfather's a musician and my father and mother were both musicians and so I'm a musician. It was just natural that I should be a musician 'cause I was born into the family.
I'm a musician, I always was a musician, and now I've got a song on the radio, so I'm definitely a musician.
I'm a terrible musician. While the band members are great, I'm tolerated and affectionately regarded because I do movies, but if I had to make my living as a musician I would starve. I'm like a Sunday tennis player.
Music is emotional, and you may catch a musician in a very unemotional mood or you may not be in the same frame of mind as the musician. So a critic will often say a musician is slipping.
I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
I did, I was in Europe a lot. I would say, mid 20s to late 30s. Less so in the last ten or twelve years. Based on some political stuff and other things, I think I'm not the only musician, the only American jazz musician that's not going to Europe quite as much. I think we're seen a little differently in the world, unfortunately, than we were pre-Iraq invasion and things like that.
I'm always writing. And, I mean, I always counsel people when they call me a musician: I really do not have the skills of a musician. I really don't think like a musician, though I love music and I perform and sing.
I think for a classical musician the goal is the same as an electronic musician. A very good professional classical musician must not think about technique.
I don't view myself as a musician anymore - I view myself as a human being that functions as a musician when I'm functioning as a musician, but that's not 24 hours a day. That's really opened me up to even more perspectives because now I look at music, not from the standpoint of being a musician, but from the standpoint of being a human being.
I think my playing has been orchestral throughout the years, and this is another way of expressing that. But I primarily see it as the ultimate accomplishment of a musician. Composing makes me feel like I've finally gotten all the way up the ladder as a musician.
In most of the stuff that I've done over the years as a sideman, I wasn't really a session musician, because to me, a session musician is a guy who makes his living in the studio, and I never really did that.
Most people define themselves by what they do - 'I'm a musician.' Then one day it occurred to me that I'm only a musician when I'm playing music - or writing music, or talking about music. I don't do that 24 hours a day. I'm also a father, a son, a husband, a citizen - I mean, when I go to vote, I'm not thinking of myself as 'a musician.'
My grandfather is a musician, my son is a musician and a singer. My mother played the piano too.
I'd rather be just a Korean musician as opposed to, you know, a K-Pop musician.
I'm a real musician's musician: I get really geeky on chords and arrangements.
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