A Quote by Santhosh Narayanan
I was unsure if people would like the music of Kabali' and had even booked tickets to Sydney on the day of its release. I didn't want people to come and throw stones at my house!
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Jim Morrison tells me that people are looking at the streets while I am looking at the moon. I do not feel connected enough [with the issues] to throw stones at a policeman. I want to throw stones at the whole world.
If I could throw my phone away, I would probably do it. It's always on silent, and I don't like when it rings and people are calling. We could live without those things in the past when we just had a phone on the street somewhere, on the corner or at the house. I have no interest in telling all the people what I do every day and where I am.
I'll always work with Stones Throw, but I'm trying to start my own label to release my old material and sign new artists. I want to do everything from rock, to jazz, to electronic, to noise records and movie sound tracks. Both sampled and original music.
In the Great Depression in which I grew up and remember vividly, unemployment was over 25 percent, and over 35 percent where I lived. A grown man would work all day, 16 hours, for a dollar. I remember hundreds of people walking by, people who had come down from the North just to get warm. They would come to our house as beggars even though they might have a college education. People didn't have money. They bartered; they'd trade eggs or pigs. It was just completely different.
There's a saying that goes, 'People who live in glass houses shouldn't throw stones.' OK. How about, 'Nobody should throw stones'? That's crappy behavior. My policy is, 'No stone throwing regardless of housing situation.
I think we've got every chance of being an Olympic sport and, if they did put us in, I know they'd sell a lot of tickets and the atmosphere would be fantastic. I would love to see it, I really would. If you want to sell tickets and get thousands of people there, then do it.
We are pain and what cures pain, both. We are the sweet cold water and the jar that pours. I want to hold you close like a lute, so that we can cry out with loving. Would you rather throw stones at a mirror? I am your mirror and here are the stones.
I started spinning house and R&B. I was taught how to DJ from house producers, so it was mostly house music in the beginning. But then sometimes people can get a little tired of hearing the same four-four beats all the time, so if you throw a little R&B in there as well, it gives people a little breather. That's the way I was DJing then when I learned how to spin. That was my introduction to house music in general, which was eye opening for sure.
The average person that lives in Sydney, if they want to buy a house in Sydney, that shouldn't be out of reach for them.
I have gone up in the Pyramids and the stones are so close together you can't force a playing card between them and (they are) in perfect alignment. So those people must have had some hydraulics or something. You take 20 men, put them around a big stone, their legs would get in the way. Even if they could lift it, 20 pairs of legs hitting against each other would throw it off balance. And they would not have it in exact alignment. Not even a fraction of an inch off.
When I turned 40, I invited Johnny Cash to my party, even though I knew there was gonna be 200 people roasting a pig and wild as can be. He didn't come, but the next day, I got a bowl of chili he'd made and a note that said, 'John, I'd love to come to your party, but that would mean I would have to leave my house.'
When I first came to America, I went into William Morris Endeavor for a meeting and I was like, "Yeah, I'm from Australia and I do comedy." I think that one of the reasons they signed me is because I wasn't like any other girl. Maybe girls don't get encouraged. The ones who get encouraged to move to Hollywood are the prettiest ones in their hometown of Iowa, or something. Whereas for me, where I come from in the western suburbs of Sydney, no one ever thought professional actors would come from there. Even my own family was like, "No one would want you on a show."
As a promoter, of course, you'd really want the people who pay for the tickets to come into your venue to really be even more connected with the band.
I think what I regret is that I would rather do something like that when I was a more established actress and I really had proven myself first. Now, people are still unsure whether I can act or not. I just don't want to be one of those girls who are playing off the show's popularity.
Back in the early '70s, when Susie and I were first married, we had a little house that we rented, and we used to have parties. People would come, and they wouldn't leave. I used to get so tired. I'd put on the Stanley Brothers, 'Songs for the Good People,' and the house would clear in five minutes. It was not liked; it was alien. It was weird.
I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.
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