A Quote by Santiago Calatrava

It's very atmospheric. It's not a building that is a severe statement in the skyline. We need the height; otherwise, the building almost disappears because it is so slender.
The largest expense in our philanthropy is capital expenditure because we are building these institutions. This institution-building idea stems from my father because he has the experience of building a company from scratch.
The soul is a temple; and God is silently building it by night and by day. Precious thoughts are building it; disinterested love is building it; all-penetrating faith is building it.
As an architect it is very important that you distinguish between different realities. There's the reality of the drawing and the reality of the building. So one could say, or at least it is the common belief that architecture has to be built; I always denied that, because ultimately it is based on an idea. I don't ever need a building to verify my idea. Of course, what with a building is more its vanity and actual physical experience. But I anticipate; I wouldn't even build it if I could not anticipate how it would be.
Cryptography is the essential building block of independence for organisations on the Internet, just like armies are the essential building blocks of states, because otherwise one state just takes over another.
Dear Chicago, when I wake up in the morning and see your skyline - the terra cotta of the Wrigley Building, the height of the Willis Tower, the shiny sides of my beloved Trump Tower - I know I'm home. I feel a certain energy walking between your spires, but recognize that what makes you special to me is that my roots are here.
I've never looked at a suburban building as being a minor building and an urban building as being a major building.
Why are people so supportive of him [Osama bin Laden] in many countries? Hes been out in these countries for decades building roads, building schools, building infrastructure, building day care facilities, building health care facilities, and the people are extremely grateful.
There's a certain amount of world-building that I hold off on until I need it for the story. World building in advance isn't really my thing, maybe because I didn't grow up playing RPG's.
I've always said if I could own one piece it would be Vermeer's The Love Letter, and if I could put it anywhere it would be in a David Chipperfield building. I'm almost there with the building - Chipperfield is building a new house for me in London. The Vermeer is a long way off.
When I look at Deco jewelry, I see the New York skyline - the Chrysler Building.
An old building is like a show. You smell the soul of a building. And the building tells you how to redo it.
I don't like the idea that the first preparation when you start to design your building has to put your label. I think this is not fair. It's not fair to the building or to the people, to the client, because every building tells a different story.
I'm building on purpose. I'm building that tipping point. I'm building that law of diffusion of innovation.
People don't live their lives in a series of scenes that form a dramatic narrative, they don't speak in dialogue, they're not lit by a cinematographer or scored by a composer. The properties of real life and the properties of drama have almost nothing to do with each other. The difference between writing about reporters and being a reporter is the same as the difference between drawing a building and building a building.
Ever building, building to the clouds, still building higher, and never reflecting that the poor narrow basis cannot sustain the giddy tottering column.
we still have the Chrysler Building and the Empire State Building and the Woolworth Building, but it just seems like part of the nature of New York, that it's always shifting.
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