A Quote by Santiago Calatrava

I just want to build the best buildings. It's not about me, it's about the buildings, creating a space where society can gather and marvel in beauty and nature. — © Santiago Calatrava
I just want to build the best buildings. It's not about me, it's about the buildings, creating a space where society can gather and marvel in beauty and nature.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
I don't think all buildings have to be iconic, but the history of the world has shown us that cultures build iconic buildings for their major public buildings.
In Paris, there has to be a presence. History becomes the most interesting when it's compared to the present. I mean there's a whole group of people that want to build new buildings that look like old buildings.
Architecture isn't just about creating new buildings, sometimes its about retuning what's already there.
What I have learned about museum buildings is that buildings have to have iconic presentations. The position of the art museum vis-a-vis other civic buildings needs to be hierarchal in the community. It has to be equal to the library and the courthouse.
We shouldn't just look at new buildings but at existing stock building because that's an even greater problem than the new buildings being built. The renovation of existing buildings and making them green is just as important as designing new green buildings.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
To me, Los Angeles and California and executive power are about big, open warehouse buildings. Tech companies are buying oversized buildings, because they project growth immediately.
The reason I don’t worry about society is, nineteen people knocked down two buildings and killed thousands. Hundreds of people ran into those buildings to save them. I’ll take those odds every f*cking day.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
For the Trump brand name, when we build, we want only the best buildings in the world. We travel a lot to see real estate projects worldwide, and we always study what can be done better. There's no question about it: a Trump Tower has to have the very best quality, amenities and facilities. People want that ultra-luxurious lifestyle.
Chinese buildings are like American buildings, with big footprints. People don't care about daylight or fresh air.
We try to turn buildings into landscapes - defying the idea of modernism which sees nature and buildings as two distinct elements.
If we are to believe or accept that buildings are cultural markers, if architects work in a vacuum with their own preconceptions about society, then we won't be creating appropriate cultural markers.
We build buildings which are terribly restless. And buildings don't go anywhere. They shouldn't be restless.
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