A Quote by Santiago Calatrava
You could say that I had become possessed, in the classical sense, by the art of the great architects of the past. And that led me to engineering.
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art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
No matter how much creativity goes into it, cooking is an art. Or perhaps I should say a craft. It abides by absolute rules, physics, chemistry, etc. and that means that unless you understand the science you cannot reach the art. We're not talking about painting here. Cooking's more like engineering. I happen to think that there is great beauty in great engineering.
I was brought up on art. My father thought I had a great hand at art and sent me to art school. But he did not want me to become a photographer.
To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.
I had a lot of classical influences. I had classical music and opera and literature, but I also liked sleaze. And putting it together, sleaze and glamour, it just made sense to me.
Yet it was impossible for me to say to people, 'Speak louder, shout, for I am deaf.' Ah, how could I possibly admit an infirmity in the one sense which ought to be more perfect in me than others, a sense which I once possessed in the highest perfection, a perfection such as few in my profession enjoy or ever have enjoyed.
If you ever ask me what my all-time dream character is, my answer will be Mia Tansen, the great composer-musician in Hindustani classical music. And ideally, the film should be directed by a person like Bhansali who is a great director and has a marvellous sense of classical music.
I worked in the family business, which was my father's shoe making company that he had inherited from his father, and that led me to become interested in what could be achieved by a great Italian brand. That became my ambition as a young man.
I write about how I was attracted to stripping because I didn't feel comfortable with my body, for instance, but there could be plenty of not-so-good reasons why I chose to go into journalism, too. Maybe someone had a trauma in childhood and it led them to become a nurse, or a lawyer, but because people stigmatize sex work they try to find a traumatic moment in your past and say, "There!"
I had trained in Hindustani classical singing and my mother thought I could become a playback singer, but I always wanted to become an actor.
Engineering is not merely knowing and being knowledgeable, like a walking encyclopedia; engineering is not merely analysis; engineering is not merely the possession of the capacity to get elegant solutions to non-existent engineering problems; engineering is practicing the art of the organizing forces of technological change ... Engineers operate at the interface between science and society.
There are so many different ways to talk and think about art. We just spoke about when attitude becomes form. But when I was a kid, I had these two art teachers, a couple, who were continuing a line of very classical, atelier art training, and they instilled in me a sensitivity to all the classical verities of line, shape, color, texture, and composition, which is only engaging if you're making two-dimensional objects.
I've worked with some great orchestras and amazing classical musicians, but I don't like the conceptualization of classical music as an elitist form of art.
So the recordings were these immersive landscapes, and yet, unlike the performances that almost no one would see, I had a sense that these could live forever. I was just starting to get my head around the democratic aspect of art; I didn't want to make rarefied things that were either alienatingly obscure or elite and art-worldy, so a recording that anyone could buy was a great medium.
The truth was I'd given up waiting long ago. The moment had passed, the door between the lives we could have led and the lives we led had shut in our faces. Or better to say, in my face. Grammar of my life: as a rule of thumb, wherever there appears a plural, correct for singular. Should I ever let slip a royal We, put me out of my misery with a swift blow to the head.
As to the pretty girls who went past, from the day on which I had first known that their cheeks could be kissed, I had become curious about their souls. And the Universe had appeared to me more interesting.
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