A Quote by Santiago Calatrava

I would like to be an artist who works in a very closed ambience. — © Santiago Calatrava
I would like to be an artist who works in a very closed ambience.
I am an artist who works very well under pressure, in fact. I like to have deadlines.
I like English football; it's a very important league. I like the crowds in England, too - they are noisy and create a special ambience.
An artist never works under ideal conditions. If they existed, his work wouldn't exist, for the artist doesn't live in a vacuum. Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn't look for harmony but would simply live in it.
I've been asked often what is the difference between an amateur and a professional artist, and I will tell you. An amateur artist is one who works all week at something else so he can paint on Saturday and Sunday. A professional artist is one whose wife works so he can paint all the time.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
In the pop world, instead of saying I want to get an album by such and such a group, it's I like this particular tune and that one I like less. I think it's much better to get involved with an artist instead of riding up and down the works you like and disregard the works you don't like.
I would like to be a great artist. I would quit pitching if I could paint like Monet or Rousseau. But I can't. What I can do is pitch, and I can do that very well.
I would like to be a great artist. I would quit pitching if I could paint like Monet or Rousseau. But I cant. What I can do is pitch, and I can do that very well.
An artist is born like a priest is born. If they are born an artist, I would tell them art is not a game: it is something very serious which completely requires everything you have to give.
The real artist, who knew what he was imitating, would be interested in realities and not in imitations; and would desire to leave as memorials of himself works many and fair; and, instead of being the author of encomiums, he would prefer to be the theme of them.
I'm doing exactly what I was supposed to do. Yeah. I didn't exactly choose this. My own life, if it were up to me, would be very, very quiet. I'd be like a shopkeeper, a book collector, or something like that. I'm not like this. Myself as a performer and an artist is totally different from who I am.
Although I still have a long way to go, I would like to become the pride of Asia. When another Asian artist enters the U.S. market, I would like him to think, 'There was an artist called Rain who succeeded in the U.S. market.' This is my dream.
If I could collaborate with any artist, I would want it to be like Marvin Gaye. Someone like who they wouldn't expect me to do a feature with, like, very iconic.
My parents have a ridiculous work ethic; my dad just works, works, works, works, works. I think it would be hard to find a guy who's logged more hours than that guy.
My whole family is very art-based. My sister runs a gallery, my other sister works for PACE in New York, my other sister is a sculptor. I'd say the ending one is me because that's the artist and the artist feels a lot.
If you married me,it would be scandalous and innapropriate, and doors would be closed to you." "Good God, woman, I let two of my sisters marry Gypsies. Those doors have already been closed, bolted, and nailed shut.
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