A Quote by Santiago Calatrava
There is so much vulgarity in the everyday, that when somebody has the pretension to do something extraordinary for the community, then you have to suffer.
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We can begin a discussion of artmaking by noting that from very early (as long ago as 200,000 years), humans have been naturally attracted to the extraordinary as a dimension of experience and that at some point they seem also to have been moved to make the ordinary extraordinary-that is, to shape or elaborate everyday, mundane reality and thereby transform it into something special, different from the everyday.
Marriage is not a natural phenomenon. It is artificial, arbitrary. And when it disappears you cannot do anything to bring it back. You can pretend, but that pretension makes you a hypocrite. And your pretension cannot deceive the woman, because she has known your love and the pretension cannot become the substitute. The only way is to separate - in friendship, because you have given each other so much.
To love is to suffer. To avoid suffering one must not love. But then one suffers from not loving. Therefore, to love is to suffer; not to love is to suffer; to suffer is to suffer. To be happy is to love. To be happy, then, is to suffer, but suffering makes one unhappy. Therefore, to be happy one must love or love to suffer or suffer from too much happiness.
Very notable was his distinction between coarseness and vulgarity, coarseness, revealing something; vulgarity, concealing something.
If you're doing something in the city, then hopefully you're speaking to somebody who has an open mind who is walking by. And you're also speaking to a community of other people who do similar types of work. I like to think that the outdoor community is broad and able and open for anybody to see.
There is something dreamlike about the points that provide a view of the other side, but they belong not so much to the dreamtime as to dream work. The nomads enter the dreamtime not by setting off on some extraordinary, dangerous voyage, but through their everyday, ambulatory movement.
Pretension may sit still, but cannot act. Pretension never feigned an act of real greatness. Pretension never wrote an Iliad, nordrove back Xerxes, nor christianized the world, nor abolished slavery.
There's that thing that can happen to you when you meet somebody and you don't consider them extraordinary at all and then they do something like play the cello or write amazing poetry or sing and suddenly you look at them completely differently.
One is born with good taste. It's very hard to acquire. You can acquire the patina of taste. But what Elsie Mendl had was something else that's particularly American––an appreciation of vulgarity. Vulgarity is a very important ingredient in life. I'm a great believer in vulgarity––if it's got vitality. A little bad taste is like a nice splash of paprika. We all need a splash of bad taste––it's hearty, it's healthy, it's physical. I think we could use more of it. No taste is what I'm against.
I'm fascinated by the sprinters. They suffer so much during the race just to get to the finish, they hang on for dear life in the climbs, but then in the final kilometers they are transformed and do amazing things. It's not their force per se that impresses me, but rather the renaissance they experience. Seeing them suffer throughout the race only to be reborn in the final is something for fascination.
You think, I love more everyday. I love more everyday, more everyday, I couldn't possibly love any more, I'm going to blow up. And then you blow up. Your chest actually starts to hurt. You love so much you think I can't love any more. And then you love so much more than you ever dreamed possible.
You don't need to have extraordinary effort to achieve extraordinary results. You just need to do the ordinary, everyday things exceptionally well.
Do something for somebody everyday for which you do not get paid.
I hate vulgarity. I hate vulgarity even though it attracts me - and it attracts me very much. I love all that is transgressive or vulgar. But in my opinion, it has to reach a limit that is always a little surreal and never becomes in your face.
I come from an Irish working-class background but went to a posh school, and any type of pretension was quickly mocked at home. I've always had a keen eye for pretension.
Extraordinary things only happen to extraordinary people. Maybe it's a sign that you've got an extraordinary destiny--something greater than you could've imagined.
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