A Quote by Santiago Calatrava
I have always tried to create bridges that are more than a connecting structure - places in their own right.
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Bridges are burning all around us; bridges to responses that might have mitigated the already brutal (and just beginning) ravages of Peak Oil; bridges to reduce the likelihood of war and famine; bridges to avoid our selectively chosen suicide; bridges to change at least a part of energy infrastructure and consumption; bridges to becoming something better than we are or have been; bridges to non-violence. Those bridges are effectively gone.
Vogue has always loved the design and structure of bridges and she loves Albert Bridge, which we live right next to.
True teachers use themselves as bridges over which they invite their students to cross; then, having facilitated their crossing, joyfully collapse, encouraging them to create bridges of their own.
Federal agencies that own bridges have some of the worst records for on-time inspections. Nearly 3,000 bridges owned by U.S. government agencies went more than two years between checkups.
We tried to make it more than just a cartoon. It was a cartoon, but we tried to make it more than it was to begin with. And I have 300,000 followers from Turkey, Romania, Poland, and places over there that love Life With Louie, where it was translated into their language. They love it. They are absolutely in love with it. And it just goes to show you: no matter where you go, it's always about family.
I always thought I wrote good bridges. I was a bit more impressed with the bridges I wrote than maybe the songs I wrote.
I couldn't make ends meet. I tried Red Lobster. I tried Wal-Mart. I tried all these places and I couldn't make it. I couldn't. So, I tried this gentlemen's club, and, you know, I worked there, and it was just awful in those places. It was terrible.
Failures are much more dramatic than successes, and people like drama. I think this is why automobile races draw such crowds. People expect spectacular crashes, which we tend to find more interesting than cars just racing around the track. The same is true of bridges, buildings, or any structure or machine.
Nothing unifies people more than music, more than that universal riff. The one thing that unifies us and the hope that we can have, especially being an artist, is that we can create music that can build bridges and smash down very bad ideas.
In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending.
Of everything that man erects and builds in his urge for living nothing is in my eyes better and more valuable than bridges. They are more important than houses, more sacred than shrines. Belonging to everyone and being equal to everyone, useful, always built with a sense, on the spot where most human needs are crossing, they are more durable than other buildings and they do not serve for anything secret or bad.
At Everton, we have always tried to do good deals and have always tried to buy at the right age and the right price.
You're always as a musician trying to shock yourself or create music that's maybe even too weird for your own taste. In my case it's kind of weird because I started out being known more for ambient things and ambiguous music, but what's experimental for me is the more traditional structure. For me, experimenting involves traditionalism.
I find that I have more allies on the left than on the right, and that is because the left is, by and large, filled with people who are challenging the present paradigm and power structure. I’m interested in totally transforming the structure that exists now, because it is not sustainable.
When I create a false reality, I always try to create a plausible structure to help convince people.
I look at the England job. It's not always about being the greatest coach. You've got less than a week before most matches. So do the players need actual coaching, or do they need to be set up in a team structure that works, and then pointed in the right direction? Create spirit, take away the fear.
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