A Quote by Santiago Durango
We played a gig and we had a song that was offensive to people of the Jewish persuasion, and we led off with it, and they were offended by it, and that was that.
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To all the women that I've offended, I had no intention to be offensive, to violate any physical or emotional space. I was trying to establish personal relationships, but the combination of awkwardness and hubris led to behavior that I think many found offensive.
The people who came to hear me perform or to buy my records were not the type who would be offended [by the song 'The Vatican Rag']. But I gather that there were other people who were offended.
If you are offended by reading views that disagree with yours, then yes, you will be offended. However, it is not gratuitously offensive, it simply puts an argument, and if your views are strong enough, as I believe they are, you will be able to defend your views. You will not say, "Oh, it's offensive, it's offensive." You will say "No, you are wrong here and you are wrong here," and that's what you should do.
Crocker's Rules didn't give you the right to say anything offensive, but other people could say potentially offensive things to you, and it was your responsibility not to be offended. This was surprisingly hard to explain to people; many people would read the careful explanation and hear, "Crocker's Rules mean you can say offensive things to other people."
I played with Prince in 2010... the America tour. The one with Misty Copeland dancing on top of the piano! But Prince played the piano on that song. But I played two dates with him on that tour. When we played the gig, every couple of songs, Prince would change his clothes.
When I had my first gig, I was 18 in January in 2007. My first gig that I got paid, I was playing for 10 people in a 250 people capacity venue. The promoter wanted to book me because he liked my music. I played a couple of songs that made people dance. To me, that rush has always stayed the same.
Hatemongers like Media Matters take innocent statements like mine, Rush Limbaugh's, John Gibson's, and Bill O'Reilly's and make them offensive by posting them on the Internet, allowing the general public to hear words that were meant for people who already agree with us. Hey, Media Matters, you want to end offensive speech? Then stop recording it for people who would be offended.
I played a gig at the Montreax Jazz Festival once - and on a song called 'It's All Gone,' I had to do free-form slide solo. It's the best thing I've ever done - because I wasn't thinking about it.
My favorite is still the one that I started off with, which is a Les Paul Standard. I've played that at every gig I've ever had. And that's my starting point in the studio.
We played New Year's Eve in Los Angeles, maybe 1978, opening for Kansas or somebody. Driving to the hotel after the gig, we came on KLOS. It was like, 'All right! We're in L.A., we just played a big gig, and we're on the radio!' That was the start of something big.
I make no claim that Jewish culture is superior to other cultures or that the Jewish song is better than the song of my neighbor.
That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.
And I remember that about three years before that, her first record had come out. And I just remember really liking this one song off it called "In My Bed" and being a little bit enamored. This, you know, this young kind of Jewish girl from North London, you know, I have the same thing - from a Jewish family from North London - with this incredible voice.
If what the philosophers say be true, that all men's actions proceed from one source; that as they assent from a persuasion that a thing is so, and dissent from a persuasion that it is not, and suspend their judgment from a persuasion that it is uncertain, so likewise they seek a thing from a persuasion that it is for their advantage.
When Superman was originally created, by Siegel and Shuster, they were two Jewish immigrants that were desperately trying to assimilate into America. They were having a hard time because they were Jewish. They wanted to get in to mainstream publishing but they couldn't. That's why they, and a lot of Jewish guys, went into comic books.
There's such a currency to Led Zeppelin, or the members of Led Zeppelin. If I put it to you this way, on the run-up to the O2 concert, the only music that we played was music of Led Zeppelin - the past catalog stuff; that's what we played on the way towards shaping up the set list for that. But we played really, really well.
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