A Quote by Santoka Taneda
Real haiku is the soul of poetry. Anything that is not actually present in one's heart is not haiku. The moon glows, flowers bloom, insects cry, water flows. There is no place we cannot find flowers or think of the moon. This is the essence of haiku. Go beyond the restrictions of your era, forget about purpose or meaning, separate yourself from historical limitations—there you will find the essence of true art, religion, and science.
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Haiku is a particularly Zen form of poetry; for Zen detests egoism in the form of calculated effects or self-glorification of any sort. The author of haiku should be absent, and only the haiku present.
The author of haiku should be absent, and only the haiku present.
He who creates three to five haiku poems during a lifetime is a haiku poet. He who attains to completes ten is a master.
The haiku reproduces the designating gesture of the child pointing at whatever it is (the haiku shows no partiality for the subject), merely saying: that!
What I'm trying to do is to tell young people that I teach them how to breathe before I teach the haiku. That one breath, that one breath, because the haiku keeps you alive. It keeps you going. If you learn how to breath the haiku, you learn how to breathe. If you learn how to breathe, you're much healthier.
The love of nature is religion, and that religion is poetry; these three things are one thing. This is the unspoken creed of haiku poets.
To me, photography is not just a visual art, but something closer to poetry - or at least to some poetry, such as the haiku.
Yoko [Ono] was showing me some of these Haiku in the original. The difference between them and Long fellow is immense. Instead of a long flowery poem the Haiku would say 'Yellow flower in white bowl on wooden table' which gives you the whole picture.
Haiku is an art that seems dedicated to making people pay attention to the preciousness and particularity of every moment of existence. I think that poetry can do that.
Regarding R. H. Blyth: The first book in English based on the saijiki is R. H. Blyth's Haiku, published in four volumes from 1949 to 1952. After the first, background volume, the remaining three consist of a collection of Japanese haiku with translations, all organized by season, and within the seasons by traditional categories and about three hundred seasonal topics.
What is the beauty of the haiku is that it is not simplistic. The beauty of the haiku I just said is very complex. It reaches all the complexities of our life on this Earth. Peace - that's a very complex idea, peace, so we can't get it as human beings.
The Hulk is like a haiku; you've got to find just the right words. I think, and I hope, we did that with The Avengers.
It is fine to imitate a being you respect, but you cannot become that very being. Imitation is something one does to grow and develop. It is not something you use to deceive yourself. You absorb in yourself the things you think have some kind of value, but even if you try to find the meaning about your true self you will not find anything. Because those who cannot accept their real self always fail.
Meaning lies as much in the mind of the reader as in the Haiku.
Regarding R. H. Blyth: Blyth's four volume Haiku became especially popular at this time [1950's] because his translations were based on the assumption that the haiku was the poetic expression of Zen. Not surprisingly, his books attracted the attention of the Beat school, most notably writers such as Allen Ginsberg, Gary Snyder and Jack Kerouac, all of whom had a prior interest in Zen.
The haiku lets meaning float; the aphorism pins it down.
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