A Quote by Sanya Malhotra

I think we all know that in a film the content is the hero. — © Sanya Malhotra
I think we all know that in a film the content is the hero.
I don't think a heroine-oriented film has the capacity to pull an audience like a hero-oriented film in any film industry.
When you have a popular hero in your film, you have to think of what the masses expect from him. You have to portray the hero in such a way that they should adore him.
I know my fans want me on the screen. But I think hero-worship should not be allowed to corrupt the plot and narrative of a film.
You make a film and you can't really pick the way it's put to the public. You control the content, but the way it's marketed, or the poster, or what they're telling the public about the film, it's beyond you. Some people don't even see them, because they think they already know it. That can be frustrating, when something you've done is marketed in a way you think is antithetical to what it is.
I want people to think that if I'm in a film, then that film definitely has good content.
What I want to do is create great content on television and movies. It is not my role to program only for Latinos, and you can't really assume that Hispanics only want Hispanic content. But I do think that we are severely underrepresented in television and film. And instead of complaining about not seeing ourselves, we should become film producers, directors, and writers, and tell our story.
The content dictates the style all the time. That's the way it is. If the content of the film - as in Husbands and Wives - is highly jagged, neurotic, fast-paced, nervous New York film, it just called for that kind of shooting, editing and performance.
Dost thou know what a hero is? Why, a hero is as much as one should say, a hero.
In Hollywood, story content of movies follows a hierarchy of power, not the relative quality of various ideas. Hollywood does not lack for quality writing. It's just that quality writing commonly has to be sacrificed in order to propel a film into production. A studio needs a star and a director to make a film, so those are the folk who'll define the content. If they don't have the same creative sensibilities, then the content will change.
Any good film you see gives you enough motivation and adrenaline rush to produce good content, while a bad film can get you so angry that you produce even better content.
Whenever the protagonist of the film becomes bigger than the hero of the film, the film is bound to become a hit.
You are a vain fellow. You want to be a hero. That is why you do such silly things. A hero!... I don't quite know what that is: but, you see, I imagine that a hero is a man who does what he can. The others do not do it.
It is very difficult to be a hero without an audience, although, in a sense, we are each the hero of a peculiar, half-ruined film called our life.
Oh God, my choice of film has never depended on the hero. In fact, you will see that some of my categorical mistakes had nothing to do with the hero in it.
I know, I know - men have that extra hero gene in their foolish makeup; it's part of our charm. But I happen to know some women who have their inner sports hero, too.
Part of what we want to do with the Heroic Imagination Project is to get kids to think about what it means to be a hero. The most basic concept of a hero is socially constructed: It differs from culture to culture and changes over time. Think of Christopher Columbus. Until recently, he was a hero. Now he's a genocidal murderer! If he were alive today, he'd say, "What happened? I used to be a hero, and now people are throwing tomatoes at me!
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