A Quote by Sanya Malhotra

Actors don't have to be conscious all the time or up their game when it comes to fashion. — © Sanya Malhotra
Actors don't have to be conscious all the time or up their game when it comes to fashion.
If fashion is for everyone, is it fashion? The answer goes far beyond the collections and relates to the speed of fast fashion. There is no longer a time gap between when a small segment of fashion-conscious people pick up a trend and when it is all over the sidewalks.
I am fashion conscious but not to the extent that girls are. I am just fashion conscious to the point where I want to look presentable and nice when I walk out of the house.
It was the fashion of the time, still is, to feel that all actors are neurotic, or they would not be actors.
Inhibition is something I notice in hamstrung actors all the time. They can be wonderful up to a point and then become very self-conscious.
I use [Heraclitus' discovery of] enantiodromia for the emergence of the unconscious opposite in the course of time. This characteristic phenomenon practically always occurs when an extreme, onesided tendency dominates conscious life; in time an equally powerful counterposition is built up, which first inhibits the conscious performance and subsequently breaks through the conscious control.
Fashion wears many faces; it has the urge to belong to a group - to charm - but also the urge to be exclusive and snobbish to carve out individuality. That is the genius of fashion! Fashion is what time looks like, and it's up to us all to shape what our own time looks like. Fashion is a collaborative art form in this way... We all paint the picture.
Conscious means "having an awareness of one's inner and outer worlds; mentally perceptive, awake, mindful." So "conscious business" might mean, engaging in an occupation, work, or trade in a mindful, awake fashion. This implies, of course, that many people do not do so. In my experience, that is often the case. So I would definitely be in favor of conscious business; or conscious anything, for that matter.
I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.
I grew up in Mississippi, and there's no fashion game there. Even in 'Bling Ring,' I had to learn a lot about fashion - you know, the differences between lapels - and it wasn't until we'd wrapped that I really started getting into it.
I grew up in Perugia, Umbria, in a world outside of fashion, so I didn't learn about it until I was older and moved away. In Milan, the women are really into fashion, and all the big fashion brands are based there, but I don't think they feel pressure to look good all the time.
I've seen up close what can happen when actors talk publicly about their relationships: their personal life gets dismantled. It's a show business game, and it's one game I won't play.
I loved doing casting because I love actors, and I am very conscious of what actors do. But I always wanted to be a producer.
I really don't think about making fashion statements. Just like any other woman or girl, I like to dress up. I think I'm fortunate enough to be dressed by some of India's best designers and to have the opportunity to wear their wonderful creations. But I have never made a conscious effort to try and be a fashion icon or something.
The flow of action continually produces consequences which are unintended by actors, and these unintended consequences also may form unacknowledged conditions of actions in a feedback fashion. Human history is created by intentional activities but is not an intended project; it persistently eludes efforts to bring it under conscious direction.
Being in the limelight has made me more fashion forward because I am under constant scrutiny. So, I have no choice but to be fashion conscious but otherwise I am not so much into it.
I like to think of myself as being fashion-conscious without being a slave to fashion.
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