A Quote by Saqib Mahmood

I remember when I first started to follow cricket, the two guys who I really wanted to watch were Shoaib Akhtar and Brett Lee. They were the quickest bowlers in the world at that time.
When I faced the likes of Shoaib Akhtar and Brett Lee for the first time, I had a little bit of fear in my mind. My thoughts were, 'Would I be able to face them? Would I be able to play them? Would I be able to hit boundaries?' There were so many questions and fear, also, that if the ball didn't hit my bat, it might hit me on the body.
I absolutely love my cricket. I would watch it six, seven hours a day when Australia were playing. I grew up in a very spoilt era of Shane Warne, Adam Gilchrist, Glenn McGrath, Brett Lee, Ricky Ponting and others.
I always kind of divided the gay guys I met up into two groups when I first started coming out. There were the guys who thought there was something fundamentally wrong with them and hated themselves and were so burdened with shame and internalized homophobia. It just really paralyzed and shredded them. And then there were guys like me who thought, "I'm fine, everybody else is crazy. My church is sick and the family's crazy, but me? I'm fine."
What I remember most are some of the guys in the background - who they were and what kind of times we had during those days on the set. I remember staying at Mikes house in Hollywood when we first started filming the series. It was the upper story of a two-story building on a little hillside. Mikes wife, Phyllis, was wonderful. Mike and I laughed a lot and played music together. I remember that time very fondly.
The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."
Shoaib Akhtar has been playing for 5, 6 years and is an experienced bowler.
Back in the days of the Smiths, when we first started touring England - this is, like, 1984 - there were these two girls. They were literally vicar's daughters, and they used to follow us to every gig, no matter where we went.
When Superman was originally created, by Siegel and Shuster, they were two Jewish immigrants that were desperately trying to assimilate into America. They were having a hard time because they were Jewish. They wanted to get in to mainstream publishing but they couldn't. That's why they, and a lot of Jewish guys, went into comic books.
I came to New York, and it was a really cool time. People like Jim Jarmusch and Spike Lee were making their first movies, and they were making movies that were personal narratives.
... so much of what we do now started in 1954 at Sun Records in Memphis Tennessee ... those guys were inventing that stuff (Rock & Roll) ... you can really tell on some tracks ... they were actually afraid at times of what they were playing. But Rock & Roll definitely didn't come before that time; it started right there
When I first started, in 2006, it was an exciting time. Independent, cool, weird artists were being successful, and magazines were writing about them, and people were getting played on radio that were, like, really good.
The first joke I got on the air I remember clearly. Dennis McNicholas and Robert Carlock wrote a sketch where they were evacuating the Titanic, and the last two guys on the entire ship were the two black guys, Samuel L. Jackson and Tracy Morgan. So Will Ferrell was running back and forth, saying, "All first-class passengers get in the lifeboat. All second-class passengers and third-class passengers get in the lifeboat. Let's get all the animals in the lifeboat. Let's put all the empty luggage in the lifeboat."
When we first started playing shows, we were all 17. Everybody started somewhere. There were guys throwing shows in condemned houses and backyards just for the love of music and for the love of what bands were standing for.
Sometimes you have to wonder if there isn't an ejector seat built into having a popular-music career. We were lucky when we started. We were already old when we started - you could have described our first album as "aging Brooklyn guys." We were in our late 20s. We weren't octogenarians, but a lot of bands were already younger than us. Fortunately, we've held on to our manly good looks.
I can remember in the early 60s that there were a couple of really dynamic women performers at the time - Brenda Lee, there was Connie Francis.
After I started training with some of the best in the world and fighting in the UFC, I started really wanting fights with guys I used to idolize and watch on TV. Guys like Tito Ortiz and Randy Couture.
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