A Quote by Saqib Saleem

I was doing a couple of films which got shelved a week before the shooting was supposed to start. — © Saqib Saleem
I was doing a couple of films which got shelved a week before the shooting was supposed to start.
Before I got pregnant, I was doing Pilates a couple times a week, and I actually loved Pilates. I noticed a difference with my core, which is my problem area, so that was nice. For me, I don't do a lot of cardio. I lift more weights.
With 'Guardians,' I knew way from the start what the plan was on this one. The harder thing for some actors is when you are doing a TV show like 'The Walking Dead' because you find out you're character is going to die a week before or even just a couple of days before.
I have been pretty happy with how I look but if I have a hectic week with family or work life, that has got to be my priority and the gym takes a back seat. Then a couple of weeks turn into a couple of months and before you know it you feel like you've got the 'dad bod.'
There were a couple of times, leading up to shooting [Ordinary World], where I was like, "Oh, my god, what did I get myself into? Hopefully, I don't ruin this guy's precious script." And then, after a couple of days of shooting, I started getting in the groove of it and it was really fun. I love being a rookie at stuff. It makes it feel vital. I love doing things I've never done before, and I love making stuff.
By mid-morning, I take a break from my novel and work on my Sunday Style column, which is about pop culture and what I find on the web. I usually start writing it at the beginning of the week and give it a couple of days to marinate before I return to it.
At 21, you can live life with reckless abandon, as reckless as your abandon is. Then, at 30, there's something there are the supposed to be's. You're like, "I'm supposed to be doing this. I'm supposed to be doing that." You start measuring your life by what you think you're supposed to be doing. Having recently turned 40, it's like, "What the hell?! Why am I worried about what I'm supposed to be doing? What do I want to do?" You become fine with wherever the road takes you.
It took me a couple of years after I got out of Berkeley before I dared to start writing. That academic mind-set - which was kind of shallow in my case anyway - had begun to fade.
I was supposed to do The Joy Of Sex with John Belushi, but the week before we were gonna start filming, he died. So that was really tragic. That put the whole project on the shelf.
It's funny: it takes a while to really get your character. It's impossible to do it on the first day. That's the same way in films; if you start shooting a film, maybe a couple weeks in, you're like, "Ah! Now I think I really get him."
Just learn the whole script before you start shooting. That makes shooting a joy. Even if they rewrite, it's easy.
For most of my films, I've had to go out and start shooting before I could get the rest of the funding. That was the case with 'Hoop Dreams,' 'Stevie' and 'The Interrupters:' We started them quietly out of Kartemquin Films, only really going to funders once we had something to show and a firm idea of what the film might be.
Sometimes, if you're shooting a complicated scene, you have to stay in a position and wait for the technician to do his job, and then you have to be where you're supposed to be, right on the spot. You don't rehearse all that much on films. If I think of the amount of time I spend on set compared with the time spent shooting, it's ridiculously short.
Dogs are animals that poop in public and you're supposed to pick it up. After a week of doing this, you've got to ask yourself, "Who's the real master in this relationship?"
Most of my work is done before we start shooting, preparation work, so my normal day begins when I start writing, it might even be the night before.
I hadn't read comics really before coming in to shooting the original 'Thor.' During that and beforehand, I read stacks and got my head around it all. We reference, especially when we were putting the script together before we started shooting, other stories.
A lot of student directors used to pick other students to be in their graduate films, so. I ended up doing a couple of them just for fun. Eventually, I got an agent through a friend and I did some commercials; then I got Knots Landing.
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