A Quote by Saquon Barkley

From watching the draft and following the NFL closely, anything can happen in the draft. But to me, it's not where I get drafted that matters to me, to be completely honest.
Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.
First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.
Once you get into the NFL, it doesn't matter what draft pick you are, what round you are, if you're undrafted or not. It's football time again. The draft, all of that doesn't matter anymore.
I was just 18 years old, excited about being drafted to the N.B.A. I felt like all of Houston was watching me. My high school was watching me. I think they had a draft party at my coach's house. I'll never forget that day, being in the green room with my family and my agent.
When I got drafted I was sitting at home with my Mom watching the draft live on the internet when my name popped up on the screen. We both jumped up in joy and I immediately called my Dad who was out of town for work. Everyone was thrilled and then about 10 minutes late Matt Anderson (the Marlins scout who drafted me) called to give me the news as well and to start negotiating a contract.
I didn't know if I was going to be drafted, period. I remember sitting there and just praying that whatever God has for me to happen, and I didn't get any calls from anybody else the whole round. And then I got a call from New England five hours after the draft started.
With TV, your first draft just doesn't matter. It's a skeleton, and then there's draft after draft after draft, and so many other factors influence it. It's just a whole different kind of storytelling.
We just have fun with our NFL Draft coverage because we understand that it's a long process, and there can be technical glitches that we don't profess to ignore. During our late coverage of the Draft, we sometimes get slap-happy and distort the heads of our analysts.
If you draft a player to be a backup, why did you draft him? You're drafting a guy because you think he's worthy of being drafted at that spot, but you're also drafting him because you think he can compete. If you're going to say, 'This guy's a backup,' - really? That doesn't make any sense to me.
With Ibrahim al-Koni, what I figured out was - and you'll see this in his novels - if your time is limited, make the unit of the chapters small so that you can finish one a day, at least in the first draft. Once you have the first draft it's living, and you can coax it to grow and trim it and reshape it and so on. But get that first draft. I think if I'd gone to an MFA program and learned that, it would have been money well spent. But translation has been that for me.
To me the only real star of the movie is the writer. And I work with writers very closely, from outline to first draft and on to the seventh draft, whatever it takes. Then my job is to support the director to make the best movie we can. Some producers try to go past them, but my job is to support them.
I have to do draft after draft... It takes me a long time, but I love doing it, and I have to do it every day, or I feel slack.
I was part of the draft resistance movement in L.A. where we did demonstrations at the draft centre and burned our cards and made a lot of trouble on campus. I had a student classification and they said that anybody who'd taken part in these demonstrations would be reclassified and drafted. And that's when I went to Canada.
I see myself as a first-draft writer, so when I sit down to write something, the first draft is usually pretty close to the end draft.
I see myself as the No. 1 player in the draft, but it is what it is. You can just take it day-by-day, put in the work, and the draft is going to be the outcome of whatever the draft is.
Yes, the first draft is the key. That's why I put so much energy, focus, and attention on the first draft, because I respect that first go at the story. If I don't have the key in that first draft, I invariably won't get it in subsequent drafts, though I can craft around it.
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