A Quote by Sara Bareilles

I'm a social person, and I'm used to working as a band member. I like that. I like being a part of a family onstage and on the road. — © Sara Bareilles
I'm a social person, and I'm used to working as a band member. I like that. I like being a part of a family onstage and on the road.
When we are out on the road, running up and down the road playing shows, you have to be not only a member of a band but, especially with Lynyrd Skynyrd, you have to be a part of the Skynyrd nation. You have to be a part of the family.
I don't know if I have a favorite part of being an artist. I do love being onstage and performing with my band. I also love rehearsing with them and creating the show, that's always a fun part. But there's also nothing like being in the studio and being able to get back to myself and get back to my feelings.
I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.
I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.
It's such a cool group of people that it [being a part of the DC Universe] feels like, for lack of a better analogy, being back on something like [Harry] Potter. We're working with a really tight, talented family.
I like television medium because it feels like we're doing a play, and I learned how to act in theater school, so that comes very naturally to me, this format. I like that people can laugh out loud when we're working. I like that we can make mistakes, unlike being onstage, where you can't.
My first CD started as a studio project and I record everything with one other guy, so I didn't have a band. That's kind of how I like to do it, though. I like to create it with one other person, this guy, Tommy English, who produces everything. And then I go out on the road with a band who interprets it live.
As an individual, and I have to say as a person of color, the thing about being an 'other' in America is I really feel like you're bilingual. I'm from a small town in Wisconsin, but even when I'm in New York and I'm working for MSNBC or CNN, you're used to being the only black person in the room.
When I used to work the road, I remember I used to ask myself in the mirror, literally, like in a movie, back when I was not very good at all, I'd say, 'What's it like being the greatest comedian in the world?'
Being on the road is like a campout. I'm the only girl. The guys in my band are like my big brothers. It's definitely an adventure, but it can be a nomadic lifestyle.
Part of the discipline of being an editor is that you have to be a good audience member; your work is to be a surrogate audience member on the films you are working on.
The theater is a communal experience, and whatever the emotional connection between an audience member and the actors onstage, it ripples through the whole audience. Part of the fun of the play is being a part of that audience.
Me and my family used to have a Christian covers band together... like rock Christian music, upbeat, all in Indonesian. The band was called Roasted Peanuts.
I really like suspense in movies. I don't really like rom-coms. But that being said, as an audience member I really like horror films and actress I really like working with fake blood; I think it's so fun.
I'm nothing without a band. I always feel like I'm part of the road crew until I'm on stage.
And then we came here for three weeks of band rehearsal with [music consultant/member of the band "Sloan"] Chris Murphy. And I grew up in Toronto during Sloan's heyday, so like I was like "Oh my god!" And so that was pretty cool.
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