A Quote by Sara Coleridge

The desire to be the object of public attention is weak, but the excessive dread of it is but a form of vanity and over-self-contemplativeness. — © Sara Coleridge
The desire to be the object of public attention is weak, but the excessive dread of it is but a form of vanity and over-self-contemplativeness.
My vanity is not remotely physical, it is cerebral. I suppose feeling self-conscious might be a form of vanity, though.
Well, think of what I’m doing to you right now. For me I’m the self, and you’re the object. For you, of course, it’s the exact opposite—you’re the self to you and I’m the object. And by exchanging self and object, we can project ourselves onto the other and gain self-consciousness. Volitionally.” “I still don’t get it, but it sure feels good.” “That’s the whole idea,” the girl said.
When I look back on the years of excessive self-doubt, I wonder how I was able to make my paintings. In part, I managed to paint because I had a desire, as strong as the desire for food and sex, to push through, to make an image that signified.
The nicest gifts are those left, nameless and quiet, unburdened with love, or vanity, or the desire for attention.
Self-improvement is a dangerous form of vanity.
It is too early for politicians to presume on our forgetting that the public good, the real welfare of the great body of the people, is the supreme object to be pursued; and that no form of government whatever has any other value than as it may be fitted for the attainment of this object.
Suspicion is a virtue as long as its object is the public good, and as long as it stays within proper bounds. Guard with jealous attention the public liberty. Suspect every one who approaches that jewel.
To believe that if only we had this or that we would be happy, or to pursue any excessive desire, diverts us from seeing that happiness depends on an adequate self.
The weak are not a noble breed. Their sublime deeds of faith, daring, and self-sacrifice usually spring from questionable motives. The weak hate not wickedness but weakness; and one instance of their hatred of weakness is hatred of self. All the passionate pursuits of the weak are in some degree a striving to escape, blur, or disguise an unwanted self. It is a striving shot through with malice, envy, self-deception, and a host of petty impulses; yet it often culminates in superb achievements.
Defense is the stronger form with the negative object, and attack the weaker form with the positive object.
If one wants another only for some self-satisfaction, usually in the form of sensual pleasure, that wrong desire takes the form of lust rather than love.
We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the desire between us and the object of desire that fills the space in between with the blue of longing.
Obesity is the result of a loss of self-control. Indeed, loss of self-control might be said to be the defining social (or anti-social) characteristic of our age: public drunkenness, excessive gambling, promiscuity and common-or-garden rudeness are all examples of our collective loss of self-control.
We know, from ordinary life, that we are not able to direct our attention perfectly steadily and uniformly to one and the same object... At times the attention turns towards the object most intensely, and at times the energy flags.
One of the beautiful things about Tyler Durden in 'Fight Club' is that he seems to understand the implicit vanity and self-absorption that comes with the desire to improve oneself.
Man's desire for the approval of his fellows is so strong, his dread of their censure so violent, that he himself has brought his enemy (conscience) within his gates; and it keeps watch over him, vigilant always in the interests of its master to crush any half-formed desire to break away from the herd.
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