A Quote by Sara Cox

I always hated the thought of not having two pennies to rub together. — © Sara Cox
I always hated the thought of not having two pennies to rub together.
Mother Teresa was a hero of mine for a long time. I just like the way she took on the world from a very humble place. She has a great quote. When she was leaving her monestary to start Sisters of Charity, she had two pennies. She was asked by a head priest what she could possibly do with two pennies. She said, 'Nothing. But with two pennies and God, I can do anything'.
I always hated my mole growing up. I even thought about having it removed. At the time I didn't do it because I thought it would hurt, and now I'm glad I didn't.
No, I always hated modeling. I developed an early hatred of modeling just from having to do it; having won Miss Teenage Memphis, I had to model, and I hated it. It bored me.
I've always looked the same. Since I was a child, I hated having to deal with my hair. I hated having to change my clothes. As a kid, I had a sailor shirt and the same old corduroy pants, and that's what I wanted to wear everyday.
I was always either so unreasonably and pointlessly happy that no one place could seem to contain me, or so melancholy, so sick and silly with sadness that there was no place I could stomach the thought of entering. I hated it here. And I have never been as happy as when I was here. And these two things together confront me with the beak and claws of the True.
There are many ways of knocking electrons out of atoms. The simplest is to rub two surfaces together.
All our lives we are putting pennies — our most golden pennies — into penny-in-the-slot machines that are almost always empty.
Regardless of the fact that in this country, certainly in the arts, we treat comedy as a second-class citizen, I've never thought of it that way. I've always thought it to be important. The last time I looked, the Greeks were holding up two masks. I've always thought of it not only as having equal value, but as the craft of it, being funny.
And regardless of the fact that in this country, certainly in the arts, we treat comedy as a second-class citizen, I've never thought of it that way. I've always thought it to be important. The last time I looked, the Greeks were holding up two masks. I've always thought of it not only as having equal value, but as the craft of it, being funny.
Work is style, and there is style without thought; not in theory, only in fact. When I take a sentence in my hand, raise it to the light, rub my hand across it, disjoin it, put it back together again with a comma added, raising the pitch in the front part; when I rub the grain of it, comb the fur of it, re-assemble the bones of it, I am making something that carries with it the sound of a voice, the firmness of a hand. Maybe little more.
I always had a weak chin because we couldn't afford to correct my bite, which could have been corrected with braces. So the chin was always weak. And I always was - kind of hated my profile. And I thought wouldn't it be nice someday to feel the rain on your chin without having to look up.
Since I was a child, I hated having to deal with my hair. I hated having to change my clothes. As a kid, I had a sailor shirt and the same old corduroy pants, and that's what I wanted to wear everyday.
I may discuss love, and I don't mind if two men fall in love, fine. Two women, fine. But I flinch when I think of two Jewish women getting together and having a child because the idea of having two Jewish mothers makes my head explode. I have one; I couldn't handle two.
What brings enlightenment is experience, in the sad sense of this word--the pressure of hard facts and unintelligible troubles, making a man rub his eyes in his waking dream, and put two and two together. Enlightenment is cold water.
Always try to rub up against money, for if you rub up against money long enough, some of it may rub off on you.
My late father used to say that they started out without two nickles to rub together and lived in that little house in Everroad Park West.
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