A Quote by Sara Evans
Can't Stop Lovin' You' - which is the duet with Isaac Slade - is so sexy and passionate. The passion in that song... I think people are gonna die when they hear it.
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When I'm writing a song, it's just me and the songwriters. Then when the song is done, there are publishers that hear it, then people in my management, then my wife and my boys and my friends, and if they're all lovin' it, it's kind of withstanding all the criticism I need.
Unless you've a lot of passion about this, you're not gonna survive. You're gonna give it up. So you've got to have an idea or a wrong that you want to right that you're passionate about, otherwise you're not gonna have the perseverance to stick it through. I think it's half the battle right there.
I think 'Lovin' Feelin' was probably one of the most - probably in '64 and '65, one of the more dramatic love songs for these kids to grab hold of. I mean, they had been listening to, you know, kind of cute songs, and 'Lovin' Feelin' was just a strong, powerful song.
Preston smirked. “You’re gonna have to stop calling me things like ‘gorgeous’ and ‘beautiful.’ I’m gonna get a complex. Why can’t I be ‘sexy,’ or maybe ‘irresistible’?
I know that the gift that God gave me isn't gonna just wither up and die unless I let it die, so it's a matter of me having the faith that it's gonna come out. Whether or not the public's gonna like it is another story. But I think as long as I keep changing and sticking to what I really love - and the same goes for Steven and the other guys in the band - then people are gonna like it.
I get inspired with passion, I think. I get inspired by people who are just passionate, and it doesn't matter what they do or what they're passionate about. I just think passion is such an embraceable thing, whether it's the guy in the coffee shop who's making the coffee or a bricklayer who loves making walls. I love watching people who love what they do, and I think that's very inspirational.
There's probably a couple someones that are gonna hear the songs and go, 'I think that might have been about me,' or, 'I know it's about me.' I do play that pretty close to the vest. I don't think I'm ever gonna write a song and drop somebody's name in it.
It's like a little folk song. I think it might've been Harry Belafonte or someone like that who did it. And "Merry Christmas, Everybody" by Slade, which is a rock group - a rock-pop group who are very big over there.
Slade was never pretentious. It was just music to them. Pop, rock, soul....it was all the same to Slade. They wrote great songs. And, besides, I'd like to raid their wardrobe.
Why do people stop developing, or, like they stop the way you can rate their, psychologically, their development? Where they stop, and just from being children to maybe stopping at a very adolescent age, and they stay there until they die. Physically die. I mean, they react adolescently. They don't change. They don't develop. They don't — it's that continual read, that process which is is the total threat for the ego.
I'm one of the people who will hear a song in a taxi and be like, stop, stop the car. Like, let's go back. What was that?
You have to have a passion for your work. How can we expect people to be passionate if you, as their coach, does not have a passion? Coaching has to be something that gives you passion and energy.
I think what people are attracted to about me, if anything, is my passion. People got exposed to my passion through music and song first.
Lovin' you has made my life so beautiful
And every day of my life is filled with lovin' you
Lovin' you I see your soul come shining through
And every time that we ooooh I'm more in love with you
If there is an exoneration of Donald Trump and collusion with the Russians to affect the outcome of the election, you think that's gonna make the Democrats go away? Do you think that's gonna make the deep state shut down? Is that gonna stop people in the intelligence community trying to overthrow an elected president? Because that is what is going on here.
I don't really have a set-in-stone process or formula. Sometimes the melody is there and I have to chase down the lyrics. Sometimes, the song is there and I have to make the melody fit. What I've learned so far about songwriting is that I can't force a song. If I try to do that, it's hollow, and people know a hollow song when they hear it. It's the song they stop listening to and forget about. I'd prefer not to write those kinds of songs.
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