A Quote by Sara Evans
I got signed to RCA when I was so young and made seven albums with them, plus a greatest hits album.
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In the rest of the world we had had two albums that were successful, so those two albums' hits and this new four-single package made up an album called Wham! The Final, which is basically greatest hits. We couldn't have done a greatest hits over here, because we'd only done one hit album.
Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.
When the Greatest Hits came out and we did that tour, I just felt I wanted to take a break, totally. Probably because, as well, I was so young when I got famous. I did album, tour, album, tour, album, tour, then I had a public nervous breakdown where I just lost tons of weight.
I got a chance to have my dream come true, and I wanted to make sure I made the decision as to when I dropped my last album. If I don't feel like this album is an incredible piece of work, then I'm cool with the albums I've done. I don't have to put out another album.
When I got to the second album, there was an expectation, because we'd sold nearly seven million albums on the first record, that this would do eight or nine.
When we were on the road, I found out that my greatest hits album went Gold. They freaked out. Things really came to a head when we started arguing about a Van Halen greatest hits package.
I made music on Seven the same way as on the other albums. I only used acoustic instruments... I'm looking for instruments that have vocal sounds, forgotten instruments like the guimbri... The first and second albums were about the voice, what came before. This album is about introducing those sounds into modern, Western life.
'What's Going On' is one of the greatest albums ever made. I definitely wasn't aiming to make my 'What's Going On,' you know what I mean? That album is definitely deep in my DNA. I've probably listened to that more than maybe any other album ever in my entire life.
I had a great time at Roma, but Milan have made me feel like a young boy again. When I signed for them I was as excited as I was when I signed my first ever contract.
As an artist, you dream about accumulating enough successful music to someday do just one greatest-hits album, but to reach the point where you're releasing your second collection of hits is beyond belief.
I'm just so happy and proud of everybody and what everybody's doing. From Curren$y doing decent numbers with the independent, digital release; from Asher selling 1.1 million-plus on iTunes with the single and almost at 200,000 [albums sold] now; Cudi got almost 4,000 BDS's a week; Mickey Factz doing the Rock The Bells tour; Blu signed a deal shortly after; Ace Hood had two very successful singles, another album getting ready to drop. Everybody's doing their thing, man.
I try to be careful to not just say it's a greatest hits show because we've also made efforts to keep people up to date so to speak because we continually write and record and put out albums.
Most every album - and especially metal albums these days - are made in a way that you can grow tired of them very easily: They're made to be dissected and played on radio, released as singles or stuck on at parties.
You're never going to release the next album and have it be different from your other two, three, four, five albums. People give them a hard time, but it's like, 'I'm an artist, I'm trying to grow. I don't want to have the same album for 10 albums in a row!' Same thing for a martial artist.
When I formed the band and created the Wildabouts with my friends, we decided we wanted to make a band-sounding album, a rock-sounding album. I made two solo albums before that were more experimental albums, and I think that they didn't really resonate with my fan base because they were too out-there, too artsy.
I was signed to RCA to be a country singer.
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