A Quote by Sara Evans

It's really deep with incredible lyrics. That's why I decided to call the album 'Words.' — © Sara Evans
It's really deep with incredible lyrics. That's why I decided to call the album 'Words.'
There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.
The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
Rounder Records decided to call the album Move It On Over, much to my chagrin but they knew what they were doing. It took off and to this day I can't figure out why.
Deep in the forest a call was sounding, and as often as he heard this call, mysteriously thrilling and luring, he felt compelled to turn his back upon the fire and the beaten earth around it, and to plunge into the forest, and on and on, he knew not where or why; nor did he wonder where or why, the call sounding imperiously, deep in the forest.
In fact, I wouldn't really call this a Gospel album, I call it more an inspirational album.
I have a fondness for words. On that note, I don't consider my lyrics to be all that great. I like to call myself a supplier of words rather than a lyricist.
I really love 'Mr. Rager.' I know the first album is incredible, but my favorite Kid Cudi album is the second one.
Production-wise, 'Looks Like a Job For... ' is an incredible album. I think that the weak point of the album was really me.
Trace Adkins is such a great guy. Really is. And he's got that incredible voice - low, deep. He throws words around like "my dental coverage."
The lyrics just come out, and I don't know where from. I'm an incredible failure in relationships. I think there's a romantic ideal that I'm aspiring for. I don't know. The lyrics are always about unsuccessful relationships. They're not all about the love between a man and a woman. It's about friendship and family. Deep down there's a lot of talk about general existence.
Albums tend to dictate what they need. Every time I have made an album it sort of feels like it is decided for me how that album is going to sound; it is not really a cerebral decision where you sit down and decide that you are going to make an album that sounds like 'this.'
I was asked by this British band called Kairos 4Tet to write lyrics for them. And I wrote lyrics for them. The album is called 'Everything We Hold,' and you can hear my lyrics.
The words that I'm most happy with are the ones that come from my subconscious rather than my conscious. They just feel right. I think that's the same with music, really. If you're doing an album, there's ten or eleven sets of lyrics, so you get to the point of inspiration ten or eleven times - it's difficult.
Jesus, when he was on Earth, he was out there helping people, right? Why did he perform those miracles? To call attention to his profession. Why do you think I do these incredible feats? To call attention to my profession!
Lizz Wright, we call her lovingly 'Amazing Grace.' She has a folk and gospel kind of approach to the music, and she writes beautiful lyrics and songs. She's like this balm that is really full and very rich and deep.
It's really an orchestral piece featuring a group and it was quite revolutionary at the time and it in fact, it kicked Deep Purple off as a name in Great Britain because it made all the newspapers. Everyone was writing about us. And there was some confusion as to what kind of band we were after that, which is why Deep Purple in Rock is such a hard unbending album of really furious hard heavy rock. Heavy metal hadn't been invented at that point.
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