A Quote by Sara Genn

Art begins when an observer's sensibilities engage with the understatements of a calculating craftsman. — © Sara Genn
Art begins when an observer's sensibilities engage with the understatements of a calculating craftsman.
The only way art lives is through the experience of the observer. The reality of art begins with the eyes of the beholder, through imagination, invention and confrontation.
Architects, sculptors painters, we all must return to the crafts! For art is not a 'profession.' There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman.
The creativity that comes from silence, from a quiet heart, feels different from that of ambition to both the creator and the observer. When the artist or the worker is out of the way, both the creator and the observer experience the art as simply a gift, an expression of the impersonal intelligence shared by all. The creator has no need to take credit for it, the observer no need to possess it.
When a peasant begins to feel the need for instruction, he usually becomes fiercely calculating.
The beauty of a finely worked object points to the beauty of the craftsmanship. The beauty of the craftsmanship points to the beauty of the name which was the source of the craftsmanship. The beauty of the name of the craftsman's art points to the beauty of the craftsman's attributes manifested in that art.
The wrestling begins before you even engage in the clinch, I've said this already. This is one thing people don't know, wrestling begins on the feet with the stand up.
That's the difference between the serious artist and the craftsman--the craftsman can take material and because of his abilities do a professional job of it. The serious artist, like Proust, is like an object caught by a wave and swept to shore. He's obsessed by his material; it's like a venom working in his blood and the art is the antidote.
You can't be a casual observer of something humorous - you have to engage, you have to find it funny for the relationship between actor and audience to work.
You cant be a casual observer of something humorous - you have to engage, you have to find it funny for the relationship between actor and audience to work.
But I wanted marriage for myself. I was not calculating about it. I wish I was more calculating.
An odd contradiction, if the layman were correct in his unconscious assumption that an artist begins with reality and ends with art: the converse is true - to the degree that this dichotomy has any truth - the artist begins with art, and through it arrives at reality.
A curiously interested observer sees a great deal, a scientifically interested observer is worthy of all honor, and anxiously interested observer sees what others do not see, but a crazy observer sees perhaps the most, his observation is more intense and more persistent, just as the senses of certain animals are sharper than those of man.
I'm not a craftsman of graphics or art or film. I'm more of an idea generator and manufacturer.
I write to be recorder, observer, participant, and sometimes, even judge. I want to engage the world as I see it with my whole self - all of those different aspects of it.
What happens to the wide-eyed observer when the window between reality and unreality breaks and the glass begins to fly?
I'm not "filled with my art". I ain't got no art. I've got only a kind of craftsman's skill, and make stories as I make biscuits or embroider underwear or wrap up packages.
This site uses cookies to ensure you get the best experience. More info...
Got it!