A Quote by Sara Genn
Half of the pleasure of painting and feeling the joy of the creative act is sharing it with others and the feeling of connection. It could just be the colour. But it is something that someone other than you has seen and felt. It is momentous. It is magic.
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We don't have to fake the feeling of looking into each other's eyes and feeling something. That's a joy. It's been a joy our whole career.
What you have to do is disavow yourself from any sense other than ascendancy. That's the only direction you could possibly have towards painting. There's no other direction at all. There's no other space in art. There's no other way in which you can find yourself except in somehow feeling it. And by holding to this feeling you can once again reach out and guess and miss - and sometimes hit.
Visiting someone in a hospital recently, I watched an elderly couple. The man was in a wheelchair, the wife sitting next to him in the visitors' room. For the half-hour that I watched they never exchanged a word, just held hands and looked at each other, and once or twice the man patted his wife's face. The feeling of love was so thick in that room that I felt I was sharing in their communion and was shaken all day by their pain, their love, something sad and also joyful: the fullness of a human relationship.
I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment.
Feelings follow actions. If I'm feeling low, I deliberately act cheery, and I find myself actually feeling happier. If I'm feeling angry at someone, I do something thoughtful for her and my feelings toward her soften. This strategy is uncannily effective.
Feelings are great liars. If Christians worshipped only when they felt like it, there would be precious little worship. We think that if we don’t feel something there can be no authenticity in doing it. But the wisdom of God says something different: that we can act ourselves into a new way of feeling much quicker than we can feel ourselves into a new way of acting. Worship is an act that develops feelings for God, not a feeling for God that is expressed in an act of worship.
I liked the idea of having actual magic performed as stage magic, so you could assume that it was just a trick, that something is all smoke and mirrors, but there's that, like, feeling at the back of your mind: What if it's not?
But he had hardly felt the absurdity of those things, on the one hand, and the necessity of those others, on the other, (for it is rare that the feeling of absurdity is not followed by the feeling of necessity), when he felt the absurdity of those things of which he had just felt the necessity (for it is rare that the feeling of necessity is not followed by the feeling of absurdity.)
There is no better feeling than the feeling that I have done something right. That feeling comes so rarely and is so fleeting that I can never really enjoy it. So in a way, it's not a good feeling at all.
Have you taught a Sunday School class and felt when you finished that you had really taught someone some principle of the gospel that had really helped him or given him a brighter look on life? Remember the feeling of peace and joy that followed? Have you ever taught someone the gospel and received that feeling of joy because he had accepted what you had been teaching? The thrill of missionary work!
I fell in love with books. Some people find beauty in music, some in painting, some in landscape, but I find it in words. By beauty, I mean the feeling you have suddenly glimpsed another world, or looked into a portal that reveals a kind of magic or romance out of which the world has been constructed, a feeling there is something more than the mundane, and a reason for our plodding.
The pleasure of eloquence is in greatest part owing often to the stimulus of the occasion which produces it- - to the magic of sympathy, which exalts the feeling of each by radiating on him the feeling of all.
I was actually dumbfounded by how some artists talked to each other. For example, it was a normal night at a bar, nothing very momentous, when in walked a painter. The other painters at the bar had a bit of an attitude about it. One said to him, "You know, I'm tired of that feeling of hot air coming out from behind your work." And I thought, "Well, that's interesting." I didn't know you could even think something like that, let alone say it right to someone's face.
I've read about all the sales today. If you're an auto dealer, you're feeling it. If you're a furniture retailer like we are, you're feeling it. If you're a jewelry retailer, you're feeling it. I know some of these businesses because we're in them. Yeah, it's being felt, but it will be felt big time more if we don't do something about it, what's going on.
Happiness is in the mind, experiences of joy or pleasure should be found in the body; but ongoing joy, pure unadulterated joy, that feeling of bliss for no reason comes when you feel like your life matters because it matters to more than yourself.
People like Nick Cave - that ridiculous, over-the-top doom, taking it to extremes - I find it uplifting because it's like someone else is feeling what you're feeling and putting it into their music. Someone expressing extreme joy is just as valuable; it's just the fact that they're expressing their soul through music.
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