A Quote by Sara Genn

Value choices are intuitive... It's fun to see how much you can get without leaning on contrast. — © Sara Genn
Value choices are intuitive... It's fun to see how much you can get without leaning on contrast.
How I wish we could all see the cost of our choices as clearly as a price tag on items in a store. If I know how much something is going to cost me, I make much wiser choices. But we have an enemy who schemes against us to keep the cost of dumb decisions concealed until it's too late.
I think back story can help guide your choices, but when you're playing a scene, you're not making choices; you're just intuitive.
A design is intuitive when people just know what to do and they don’t have to go through any training to get there When a design is not intuitive, our attention moves away from what we’re trying to accomplish to how we can get the interface to accomplish what we want.
There's no doubt about it: fun people are fun. But I finally learned that there is something more important, in the people you know, than whether they are fun. Thinking about those friends who had given me so much pleasure but who had also caused me so much pain, thinking about that bright, cruel world to which they'd introduced me, I saw that there's a better way to value people. Not as fun or not fun, or stylish or not stylish, but as warm or cold, generous or selfish. People who think about others and people who don't. People who know how to listen, and people who only know how to talk.
Color is a major element in scale. A small room can have a larger look by the use of closely related values, hues, and intensity. A large room can be made to look smaller by marked contrasts of color and value, hue, and intensity. Value is one of the most important elements. Whether light or dark, little value contrast makes for unity, and sharper contrast makes for stronger punctuation.
The intuitive connection children feel with animals can be a tremendous source of joy. The unconditional love received from pets, and the lack of artifice in the relationship, contrast sharply with the much trickier dealings with members of their own species.
What happened on "As Cool As I Am" was, you know how in the `90s, "the personal is political, the political is personal"? That was a really big thing. Choices you made about how you recorded and what instruments you used and how much real versus how much synthetic. Those were choices that were seen as very political at the time.
What I realized halfway through writing romance is that you start out intuitive, and you make all these choices mostly based on yourself and what you like and what talent you have, and... if you want to have any quality control over your product, you have to stop being intuitive and start being more of an analyst.
Immigrants play a huge role in the founding and value creation of today's tech companies. We wonder how much more value could be created if it were easier to get a work visa.
People go to see beautiful paintings to see how much they cost. Wow. The practical value is that it shows you what the human spirit can do.
The black church is dormant, much of the community is dormant. If the black church is leaning toward the right, much of the community is leaning toward the right. If it is leaning in the left wing direction having repercussions.
He who has not looked on Sorrow will never see Joy. [for without sorrow how would you know what joy is? Contrast provides peceptive clarity]
Unless you had developed a certain independence of value, a certain independent system of value, a system of values that was independent from this middle-class drive for recognition. This has been my explanation of part of [Martin Luther King] general role. So, he accepted this without too much resistance. In fact, none that I could ever see, and at certain points I was close enough to see something.
The Christian kids' movies are fun because so many of them are made with low production value, but they're still trying to appeal to a broad audience like a Sesame Street or something. It's always fascinating to see how hidden or obvious they want to make their message. Also, the acting in them can be pretty fun.
Tarantino is the coolest damn guy; he's just so much fun to work with. He might be the best director I've ever worked with. He just seems to know how to do it and he knows how to make you feel good about it. He's having so much fun you start having fun. You can't help it.
I think that's what the most fascinating part of getting to know someone is - to see how they do things, and how their way of doing things is different from your way of doing things, and the fun of trying to do it their way and to see what value there is in looking at things from their perspective.
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