A Quote by Sara Gilbert

A good place to start initially would be school plays. — © Sara Gilbert
A good place to start initially would be school plays.
Even when I was in school shows, in elementary school doing plays, I'd always go off book and start improvising.
When you're an actor in grade school, high school, college, whatever, you start to realize what you're really good at, what you're kinda good at, what you're okay at, and you start to compartmentalize. But if you know yourself and what you're capable of, it's just a matter of opportunity.
Plays were really my last option. The reason I didn't write plays initially was because I thought theatre was the worst of all the art forms.
I loved English at school and realised I would enjoy studying plays. I got into Royal Holloway. They had a little studio theatre where we put on plays, and that's what I realised I wanted to do. So from there, I went to the Old Vic theatre school to learn how to do it properly.
You wake in the morning and proclaim yourself to be the bearer of goodness. "I will bring good. I will attract good. I will create good. Good things happen to me, and my life is good." You start to move into the track of goodness, and that becomes a place of abundance, a place of rest, a place of relaxation, and a place of trust.
I did one or two plays at school. Once I played a tree, so I never thought I would be a good actor.
As early as I can remember, I would put on plays with my cousin and make my dad record them. In kindergarten, I started doing the school plays, and it just continued.
Initially, I think I was eager to get off Staten Island and go away for school, that kind of thing. Then what you do maybe 10 years after that, you start maybe appreciating all the great things about the place you grew up. You can go back and enjoy it because you don't have that angst or sense of struggle to get away anymore.
Initially, if I get start, then I play in a flow. It is good if I bat high up in the order.
If people would just wake up to what's real, there would be no misery in the world. I guess chanting's a pretty good place to start.
I didn't start off with the responsibility because I didn't think anybody would care. But as you do meet these people influenced by your music, then you start to understand you have a responsibility. I don't think you initially know it until you feel the power of what you're really doing.
I'm told I was acting in school plays when I was a tiny little boy at the age of three, so they must have seen something then. And even when I was practicing piano eight hours a day, I was still doing school plays.
I decided to have a regular childhood and not pursue [acting] until I left school, although I wrote plays, directed plays, and got involved in theatre at school. When I left school I decided that's that I was going to pursue and gave it a crack.
A zoo is not an ideal place for an animal - of course the best place for a chimp is the wilds of Tanzania - but a good zoo is a decent, acceptable place. Animals are far more flexible than we realize. IF they weren't, they wouldn't have survived. But my opinion about zoos came after research. Initially I had the opinion that most people have, that they are jails.
I didn't do plays at school, because I didn't have the confidence. At 14, I was at boarding school in Devon and I suffered from dyslexia quite badly, but they had a very good department there which specialised in it.
When I was at school, I wanted to join the army. At college, I started acting in college plays, and it became a kind of addiction. I was very shy when I was at school, but the plays seemed to give voice to my feelings.
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