A Quote by Sara Groves

As I glow in this cold, dark night, I know I can't be a light unless I turn my face to You. — © Sara Groves
As I glow in this cold, dark night, I know I can't be a light unless I turn my face to You.
Slowly, gently, night unfurls its splendor.Grasp it; sense it - tremulous and tender.Turn your face away from the garish light of day, turn your thoughts away from cold, unfeeling light - and listen to the music of the night !
Her face was brilliant and glowing; but this glow was not one of brightness; it suggested the fearful glow of a conflagration in the midst of a dark night.
Slowly, gently night unfurls its splendor. Grasp it, sense it, tremulous and tender. Turn your face away from the garish light of day, turn your thoughts away from cold, unfeeling light, and listen to the music of the night... Close your eyes and surrender to your darkest dreams, purge your thoughts of the life you knew before. Close your eyes, let your spirit start to soar, and live, as you never lived before!
Though it's cold and lonely in the deep dark night I can see paradise by the dashboard light.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
Very great charm of shadow and light is to be found in the faces of those who sit in the doors of dark houses. The eye of the spectator sees that part of the face which is in shadow lost in the darkness of the house, and that part of the face which is lit draws its brilliancy from the splendour of the sky. From this intensification of light and shade the face gains greatly in relief and beauty by showing the subtlest shadows in the light part and the subtlest lights in the dark part.
Child! Turn your face to the light, to the science, to the reason, to the truth, to the peace! Child! Be modern, be compassionate, be individual, and be independent! Child! Don't be the man of anyone or any system, don't believe in any religious stories, and don't ever be silent against any oppressor! Child, turn your face to the light and walk towards the light!
I needed more stuff that glowed so when the lights went out, you could actually see me the whole time. So I slowly built it from there. I wanted everything to glow. I want my hair to glow, I want my nails to glow, I want my eyes to glow, I want my lips to glow, you know?
When I was a kid, I used to be afraid of the dark. I would stand at my door, turn the light off and dive into bed. One night, as I did that, there was this gigantic spider next to my pillow. I hit the bed and bounced straight back up When I turned the light back on, it was already gone. I could not sleep in my room for days.
But I have a problem with the term 'light'. I never in my life knew what to do with that. I know that people have mentioned on some occasions that 'Richter is all about light', and that 'the paintings have a special light', and I never knew what they were talking about. I was never interested in light. Light is there and you turn it on or you turn it off, with sun or without sun. I don't know what the 'problematic of light' is. I take it as a metaphor for a different quality, which is similarly difficult to describe. Good.
A grub in filth is dirty, but it changes into a cicada and sips dew in the autumn breeze. Rotting plants have no luster, but they turn into foxfire and glow in the summer moonlight. So we know that purity emerges from impurity, and light is born from darkness.
When you have once seen the glow of happiness on the face of a beloved person, you know that a man can have no vocation but to awaken that light on the faces surrounding him. In the depth of winter, I finally learned that within me there lay an invincible summer.
There is no light in earth or heaven but the cold light of stars; and the first watch of night is given to the red planet Mars.
A person with normal eyesight would have nothing to know in the way of 'Impressionism' unless he were in a blinding light or in the dusk or dark.
In the long, sleepless watches of the night, A gentle face the face of one long dead Looks at me from the wall, where round its head The night-lamp casts a halo of pale light.
I SEE thee better in the dark, I do not need a light. The love of thee a prism be Excelling violet. I see thee better for the years That hunch themselves between, The miner’s lamp sufficient be To nullify the mine. And in the grave I see thee best— Its little panels be A-glow, all ruddy with the light I held so high for thee! What need of day to those whose dark Hath so surpassing sun, It seem it be continually At the meridian?
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