A Quote by Sara Khan
I still find it difficult to believe that in just six months, Bidaai' has reached such a stage. Everyone in the production house has a major role to play in the success of this show, not just the actors. It's unbelievable how everyone is so dedicated here.
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I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
Everyone gets laid off and everyone in Hollywood gets unemployment for six months while they're looking for a new job. So I would just do stand-up for six months and think I was really making it, and when my unemployment ran out, I had to get another job immediately.
We didn't have reruns back then, so when the show ended we thought it was over. I'm overwhelmed by how long the show has been popular and by how many people still love it today. I still watch the reruns and just laugh! Here in Mount Airy they show the Andy Griffith Show at 3:30 in the afternoons and they call it "Andy After School", but the show wasn't just for kids, it was for everyone.
You just pour your heart and soul into a project, and everyone pays their dues, and everyone on the crew, everyone works so hard. Then you just don't know how the show ends up. You just hope that it turns out great, and you hope that people respond to it, and you hope that the network accepts a Season Two.
I read somewhere that everybody on this planet is separated by only six other people. Six degrees of separation between us and everyone else on this planet. The President of the United States, a gondolier in Venice, just fill in the names. I find it extremely comforting that we're so close. I also find it like Chinese water torture, that we're so close because you have to find the right six people to make the right connection... I am bound, you are bound, to everyone on this planet by a trail of six people.
On stage, everyone stays put; the vantage point is always the vantage point, and you have to play to the size of the house. And of course, on film, there's different angles, different shots, so that determines how animated or how still you must be.
That's how life feels to me. Everyone is doing it; everyone knows how. To live and be who they are and find a place, find a moment. I'm still waiting.
Nothing can be left until the last minute, so that everyone knows exactly where they are. Everyone is comfortable and everyone feels safe because we want people to be able to keep coming into this show and taking those risks. There are a lot of risks in this show, not just nudity, but emotional risks. We want the best actors to feel comfortable about coming in and exploring this subject matter with us.
You try to get the feel of any role, but it's much more difficult in the case of Christ because everyone has their own personal image of Him. It's a role you take on, knowing that no matter how you play it, you are going to disappoint many.
I don't have one specific dream role: I'm an actor, so I want to play everything. In this business, they'll pigeonhole you in two seconds if you're great at the role you play. Everyone assumes that you're really just like that character.
I think there's nothing worse than telling actors what to do in front of everyone, because then on the next take, everyone's waiting to see if you do that ... Everyone watches. It's just the worst thing.
When you ask for happiness and a beautiful life, ask not just for you, but for everyone. When you ask for something better, ask not just for you, but for everyone. By all means ask for abundance and health for you, but also ask for it to be given to everyone. Can you imagine what would happen if six billion people asked for these things for you?
I think we have reached a stage now where we need to find solutions to economic injustice in the same place and in the same ways that we find solutions to sustainability. Sustainability on environmental grounds and justice in terms of everyone having a place in the production and consumption system - these are two aspects of the same issue. They have been artificially separated and have to be put back again in the Western way of thinking.
I will not play tug o' war. I'd rather play hug o' war. Where everyone hugs instead of tugs, Where everyone giggles and rolls on the rug, Where everyone kisses, and everyone grins, and everyone cuddles, and everyone wins.
In all the time I was with L.T.D., I was never allowed to do an interview by myself. I wasn't even allowed to talk on stage between songs. I couldn't get a publishing agreement or a production deal because everyone had their own little role to play in the group... and the money, well, anything split 10 ways can't be much.
We just kept moving back and forth because my mother never had a job. We kept getting kicked out of every house we were in. I believe six months was the longest we ever lived in a house.
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