A Quote by Sara Pascoe
I did an open air gig in Regent's Park and that's an incredible venue because the sun sort of sets while you're on stage and you can see the audience so brightly.
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Sometimes you'll play, like, a large venue - maybe an outdoor venue or something - where it's so big that you can see all of the disinterested people. You see the audience, but then behind the audience you see people eating ice cream, going for a walk.
First paying gig, I got 20 bucks. I played at some really weird venue. I don't remember the venue; I just remember it was the last stop on the A train. It was, like, the Far Rockaways, Queens, and it was an audience of, like, three people.
I was always pretty broad. I've had a couple bad experiences. One time, I showed up late for a gig in Brooklyn at an Italian restaurant. I ran on stage, did my show, and then some guy in the audience threatened to kill me because he didn't like my joke. Instead of talking to him, I just ran off stage. And then, because I was late, the owner of the restaurant threatened to kill me. And I was 19 years old and so scared that I almost started crying. But, I've done every gig you can imagine, in every state.
The hour on stage is rarely a drag. In fact, I can't really say that its ever a drag. The few times that its been challenging has been when you don't have a sympathetic audience or there is the occasional strange corporate gig or something that you take or that you're not sure and you're like, "Wait a second. That's just the wrong venue".
Some artists see a gig as an audience worshipping them. I think it is about having a great time together. I have a part as the singer. An audience has a part. Playing a gig doesn't make me high on myself.
I did a corporate gig where I presented on stage for an hour and was paid 12,000. I felt so guilty. It is still hard for me to accept I can earn that sort of money for an hour of my time.
Because there is that sort of feeling that people don't know what to do with gaps in their lives. It's a scary notion, but actually, if you can stand in space just for a little while, a new door will open, or you'll be able to see in the dark after a while. You'll adjust.
... But I'm annoying you to no purpose with my arguments. A person whose house is only open on the west can't see the sun rise at dawn; it's only seen when the sun sets at dusk. If one tries to compare the color and appearance of the two, one will go on arguing forever... ...The fault lies not with the vision but with the closed windows. If you look out of only one opening till the day you die, you'll ever see anything new.
The stage is my first love. It gives me immense self-satisfaction, a sort of power because a stage actor carries the audience along; it's a live performance; spontaneity is its soul.
When we play an outdoor venue, you'll see whole families - boys, girls, men and women - from kids to grandparents who somehow heard the music... Think about how hard it is for artists who can never get a gig at an all-ages gig. Who goes to hear music in bars? People who can get into bars; people who drink.
To perform at the Cardiff Millennium Centre was amazing in itself - the theatre is an incredible venue and it was great to be performing so close to home. For me the best experience was in Glasgow, where I got to play Dee Dee for two weeks! The audience sang along to every song with such enthusiasm you actually couldn't hear yourself singing! That was incredible!
I also, since we have digital cameras, the blue screen composites are so good that I would rather shoot on a stage than there, especially the complicated sequences. The sun never sets in a studio stage.
When the sun sets, beautiful though it may be, billions of stars appear. The ego is but one sun. When that sun sets, there are endless suns, endless horizons beyond it.
When I had my first gig, I was 18 in January in 2007. My first gig that I got paid, I was playing for 10 people in a 250 people capacity venue. The promoter wanted to book me because he liked my music. I played a couple of songs that made people dance. To me, that rush has always stayed the same.
Near the snow, near the sun, in the highest fields, See how these names are fêted in the waving grass And by the streamers of the white cloud And whispers of the wind in the listening sky. The names of those who in their lives fought for life, Who wore at their hearts the fire's centre. Born of the sun, they travelled a short while toward the sun And left the vivid air signed with their honour.
I got to do the movie, and people who enjoyed 'The Birdcage' came out to see me on stage when I did 'Forum.' It introduced me to a whole new audience that wasn't familiar with my stage work.
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