A Quote by Sara Pascoe

I always get nervous before a gig, so I look over my writing, trying not to fantasise about all the things that could go horribly wrong. — © Sara Pascoe
I always get nervous before a gig, so I look over my writing, trying not to fantasise about all the things that could go horribly wrong.
I used to fantasise about being able to stay up all night; now I fantasise about how early I can go to bed. Tragic isn't it?
I used to get nervous about three weeks before a gig... now I've managed to condense it down to a manageable ten minutes.
You know, I'm a total perfectionist, and I labor over trying to get things right. Whether we're putting together an opening for the Masters broadcast or when I was writing with my friend Eli Stillman a book about my dad called 'Always By My Side,' I'm always trying to find a way to do something better.
If I've done a gig and at the end there are people waiting for autographs, they always seem nervous, but they probably don't realise that I'm more nervous than them. I get very embarrassed.
I always perform live. I've even received a cortisone injection when I was losing my voice before a big gig so I could fulfill my obligation to the promoter. I felt it the days following after the gig in my throat, but it was nice to know I didn't let anyone down. The show must go on.
I was just trying to make it to a second contract before guys. I was trying to outplay guys on the field and trying to last longer than them in the league. I think all of those things go through your head when you're a late-rounder, and you're always trying to prove people wrong.
There's nowhere I won't go. As long as it's horribly, horribly true and/or wrong.
I could play a gig on the moon and not be nervous about it.
The interesting thing is I don't get nervous for big things. I don't know why this happens, but I will get like, puke-nervous when I'm going to do a presentation at school or go fill up my gas, but if I'm about to go on Jimmy Fallon, I am stress-free.
My father told me when I first started that standup is exciting and I should pursue it, but that writing would be the thing that would give me power over my career. I never have to take a road gig or a writing gig I don't want because I always have the ability to play one against the other.
You have to be as strong when things go wrong, but I don't get nervous.
When I get nervous, I go to the library and hang around. The libraries are filled with people who are nervous. You can blend in with them there. You're bound to see someone more nervous than you are in a library. Sometimes the librarians themselves are more nervous than you are. I'll probably be a librarian for that reason. Then if I'm nervous on the job, it won't show. I'll just stamp books and look things up for people and run back and forth to the staff room sneaking smokes until I get hold of myself. A library is a great place to hid.
I was always trying to get people to fix things that are wrong. Now, it was, 'How do I make things that are going good go better?
We're professional worriers. You're constantly imagining things that could go wrong and then writing about them.
I'm always nervous before playing a gig, to tell you the truth. It's what nearly did me in when I was with the Libertines. I just couldn't handle it.
The doctor told Phil, my then husband, that my condition was really bad news. They had found an artery tearing and said I could die. They said they could try to patch it up but it could go horribly wrong. It all turned out okay in the end but it was touch and go.
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