A Quote by Sara Pascoe

Comedy, surprisingly for a form that intends to bring joy and joviality, is always upsetting people. Jokes rely on broad strokes, stereotypes, caricatures, exaggerations and simplifications.
People have a comic bent or an angularity to their thinking, and those are the people who make jokes. And it's usually people who were in an environment, when they were young, where jokes were at a premium, or at least considered important to a life. My parents always listened to the comedy radio shows, we went to the comedy movies, and my parents appreciated comedy. So kids listen and follow what their parents like.
Value, whether the result of massed lines, broad strokes, or washes, is the necessary and only tool for modelling form with light.
Woody Allen - nobody has been a better joke teller than him - and even in his great films, it's always coming out of the character. If you don't have that, jokes are just empty and I think that people rely too much on jokes.
I am not one of those people who will ever be comfortable mocking or making caricatures of the stereotypes attached to any community.
Most of the films I myself like don't do very well. Every director, he has a choice, whether to go for subtlety and try to articulate every minute detail, or to go for the broad strokes and hope that the people will fill in between the lines. I tend to go for the broader strokes.
God is always joking. Look at your own life - it is a joke! Look at other people's lives, and you will find jokes and jokes and jokes. Seriousness is illness; seriousness has nothing spiritual about it. Spirituality is laughter, spirituality is joy, spirituality is fun.
I think comedy has evolved like every art form, and people probably do less standing around and telling jokes, and more things that have to do with reality.
I think Westerns are always so great for clearing out the clutter and the ambiguities, and getting right to the broad strokes of that kind of situation.
People know the broad strokes of what it's like to be Spider-Man, but I wanted to really get into the details.
I'm an actor. I've always been an actor. I've always approached all my comedy as an actor. I don't really care about jokes either. I tire of jokes.
But she took her husband's jokes and joviality as patiently as everything else, considering that "men would be so", and viewing the stronger sex in the light of animals whom it had pleased Heaven to make naturally troublesome, like bulls and turkey-cocks.
Many people mistakenly think of farce as broad low comedy. In fact, it's polished high comedy.
Most of the jokes that I wrote were funny and there always seems to be an aspect of comedy in my long-form work. I think that's how life is. I think even the more dramatic moments of one's life are often punctuated by very funny comments or situations. I like to say, "Keep your comedy serious and your drama funny, and you'll be pretty true to life."
People have these ideas about comic books and their adaptations as flashy and sort of surface-y, broad-strokes-type projects, but they're not, really.
I like broad comedy. If I had an idea tomorrow for a film that was all slapstick and broad comedy, and it was an idea that interested me, I would not hesitate to do it because I enjoy watching these kinds of film.
The intentions of a tool are what it does. A hammer intends to strike, a vise intends to hold fast, a lever intends to lift. They are what it is made for. But sometimes a tool may have other uses that you don't know. Sometimes in doing what you intend, you also do what the knife intends, without knowing.
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