A Quote by Sara Rue
Every set has their own personalities and their own quirks. It's funny comparing starring in a show to going in and doing recurring work - there's already a rhythm that's been established, and people know each other so well. It's like being a guest in someone else's home.
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Each artist attracts his own different set of fans. And G3 over the years has created it's own audience as well... they know it's something unusual and special that they're not going to get anywhere else ... young and old, both sexes, all come out. They all look at each other like, Wow, what are those people over there ? ... They're surprised at their own diversity.
When you're guest-starring, it's very nice, but you're there very briefly, and it's right there in the name: You're a guest. It's very hard to get a real sense of belonging. With recurring and regular roles, at least you have a sense that this is a home and a steady place.
I'm not big on fat jokes. That's a little beneath me. I'm not a huge fan of making a joke completely at someone else's expense. Even though I think he does it better than anyone else, I don't love... Well, it's different with Sacha Baron Cohen, but that whole thing where you're "punking" people? I don't like that. I don't like doing it, and I don't particularly find it funny when the joke is on a person who doesn't know they're being set up.
People must be free to work, to save, to own their own home, to take risks, to invest in each other and, in essence, to control their own lives.
What I like best in Baltimore is the people, the neighborhoods and what goes on in the neighborhoods. Each has its own stories, own diners and own quirks. It's about community. I also like everything Old Bay.
I wasn't happy at the career I was at and wanted to try something else, and so I tried fighting, and it's working out pretty well. I set my own schedule; I have my own training facilities. I'm not traveling as much, and I'm at home every night.
We Russians have assigned ourselves no other task in life but the cultivation of our own personalities, and when we're barely past childhood, we set to work to cultivate them, those unfortunate personalities.
With Instagram and Twitter, you're constantly looking at other people and comparing yourself to them, and it's just not beneficial. There is always going to be someone skinnier or prettier or with better skin, and that same girl you're looking at is comparing herself to someone else.
For me, each of SNSD members is like my own body. If one gets hurts or hears bad things from someone else, it hurts me and pains me even more. And you know, it's impossible for only good things to happen to someone, so there will always be difficult and hurtful times; but during these times, I'm thankful that we're each other's supports and each other's strength. I hope in the future, we'll continue to lean on each other and be strong for each other. Also, when we need encouragement, we'll continue to look for each other too.
The child in each of us Knows paradise. Paradise is home. Home as it was Or home as it should have been. Paradise is one's own place, One's own people, One's own world, Knowing and known, Perhaps even Loving and loved. Yet every child Is cast from paradise- Into growth and new community, Into vast, ongoing Change.
In a very philosophic sense I think doing the work is itself a good thing. But at the end of the day, since we're taking other people's shekels to do it, and their work is being able to make a return out of it, it forces you to consider the fact that you're doing it for other people. The whole construct is built around the assumption that it's going to get shared, and that someone else is going to find value in it - entertainment, catharsis, enlightenment, or whatever.
I look forward to doing my own show, not someone else's. That's always been my dream.
It would be amazing if we got someone like Sarah Silverman on the show, not having a script and just being herself. That's the best part of doing this show: just having funny people being funny.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
When you're a regular on your own show, there's a comfort level that you have with the crew and the other castmates, so going into work can feel like going to your second home.
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
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