A Quote by Sara Shepard

It's nice to dig deeper into people who may look one way but always have a story to tell. I obviously write about that a lot. — © Sara Shepard
It's nice to dig deeper into people who may look one way but always have a story to tell. I obviously write about that a lot.
There are distractions, all around. There's so much media, for a young kid to battle against, to get to something soulful. You have to make a decision, on your own, what you can take from these people, if you can dig deeper. It's nice to be able to let people dig deeper.
You didn't plan to write a story; it just happened. Well, it could be argued that the next thing you should do is find a hole to dig. Right? So you start digging a hole and then somebody brings a body along and puts it in. That's what a story must feel like to me. It's not that you say, "I want to write a story about a gravedigger." But you're walking along and "I don't know what I'm doing here in this story,' and - boop! a shovel. "Oh, interesting. Ok, what does one do with a shovel? Digs a hole. Why? I don't know yet. Dig the hole! Oh, look a body."
I never want to write a book just to tell a story. There is always something deeper going on.
It's nice when people are passionate about something, and it's always better when they let the subject tell the story, more so then when you can tell people are trying to get their own philosophy into it.
Ten years of character development affords you a lot. You get a chance to dig deeper and deeper and deeper into a person.
No matter how horrid a person may appear on the surface, if you dig deeper, you will find some nice, unexpected little quality.
The nice thing about my job is that it allows me to look deeper into issues and then tell stories with that information.
You can tell the truth, but sometimes you can't always be in your face with it. I found a way to tell the truth and put it in a nice, neat package for people to receive it. A lot of times, you have to put it in a nice, neat box with a bow tie, and when they open it, it's the truth. I think people respect that.
Though it may not seem like it, I never try to write about a place, per se; it's always, first and last, about story. Story is everything. Story and a bit of attitude.
The best thing to do is to write about what you know, and if you write about what you know you can always pull those nice little tidbits that hook people, that shows that you know about this world and can bring people into a world that they may not know nothing about.
We talk a lot about having high-character guys and high-IQ guys, and I think that's one of the characteristics of those types of people or players that if and when something doesn't go their way, their reaction usually is to come back and fight harder, dig deeper, do more.
The one good thing about a movie and music and stuff like that: Sometimes it's a counterpoint between the movie and the music itself, the difference and the tension they build together. I think that could be something that helped with me, because when I write songs now, I write lyrics a bit like that. I try to make the music be an interesting twist on the lyrics and help tell the story in a - I don't tell crazy stories, you know? So a lot of times, the twist is in the subtleties. The twist is in the way the story's told.
America has this fascination with glorifying the villain and not talking about the trials and tribulations. We tell the story of the successful villain a lot of times, but we don't tell the story of the people who don't come out so successful, and we don't tell the story of all the bystanders of that choice.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
A songwriter's heart is pure when they have the desire to keep digging deeper into music. And invariably, when you dig deeper it always leads you into the past.
I wish people were willing to dig a little deeper than the surface elements of a premise before tossing one story in with another.
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