A Quote by Sara Sheridan

As an historical novelist - there are few jobs more retrospective. — © Sara Sheridan
As an historical novelist - there are few jobs more retrospective.
As an historical novelist - there are few jobs more retrospective. I dumped science at an early age.
Historical fiction is actually good preparation for reading SF. Both the historical novelist and the science fiction writer are writing about worlds unlike our own.
I feel very strongly that where the facts exist, a historical novelist should use them if they're writing about a person who really lived, because a lot of people come to history through historical novels. I did. And a lot of people want their history that way.
Research is the historical novelist's map, constraint, and purest energy.
A few more years shall roll, A few more seasons come; And we shall be with those that rest, Asleep within the tomb. A few more storms shall beat On this wild rocky shore; And we shall be where tempests cease, And surges swell no more. A few more struggles here, A few more partings o'er, A few more toils, a few more tears, And we shall weep no more. Then, O my Lord, prepare My soul for that blest day; Oh, wash me in Thy precious blood, And take my sins away.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
It does happen to be a historical fact that my husband served as president for eight years. And there's a lot that happened which helped the American people during those eight years. I want an economy that creates more jobs. And that's a lot of jobs. I want an economy that gets back to raising incomes for everybody.
I went to the big Picasso retrospective at the Tate in the sixties, and I think I went to an Andy Warhol retrospective at the Tate in the sixties, too. My mother was very good at taking me to things like that. We lived in Reading, but we went on these cultural trips to London.
I've always been able to work as an actor and support my family and did great jobs, and more often than not, I got to turn down jobs that I didn't really want to do for various reasons or refuse to work with people I didn't like - and there are quite a few.
Sigmund Freud was a novelist with a scientific background. He just didn't know he was a novelist. All those damn psychiatrists after him, they didn't know he was a novelist either.
The historical novelist has to consider what has actually happened, while the SF writer is dealing in possibilities, but they are both in the business of imagining a world unlike our own and yet connected to it.
I've done a few jobs out there for the money, and I find those jobs have come back to haunt me.
Let me make our goal in this program very clear: jobs, jobs, jobs, and more jobs. Our policy has been and will continue to be: What is good for the American worker is good for America.
Silences enter the process of historical production at four crucial moments: the moment of fact creation (the making of sources); the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of retrospective significance (the making of history in the final instance).
In the same way that I've no desire to live in earlier historical periods, I never touch historical recipes. Most historical cooking is detestable.
Historical! Must it be historical to catch your attention? Even though historicity, like notoriety, denotes nothing more than thatsomething has occurred.
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