A Quote by Sara Sheridan

Grabbing readers by the imagination is a writer's job. — © Sara Sheridan
Grabbing readers by the imagination is a writer's job.
I want to be remembered most as a writer - one who entertained readers, and, hopefully, stretched their imagination as well.
I'm sometimes asked how I would like to be remembered. I've had a diverse career as a writer, underwater explorer, space promoter and science populariser. Of all these, I want to be remembered most as a writer - one who entertained readers, and, hopefully, stretched their imagination as well.
The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work.
Readers want a good book; it's a writer's job to give it to them.
I feel very strongly as a writer and as a director it is not my job to crush the audience's imagination.
I'm very critical of crime novels that use gratuitous violence to shock readers when it isn't necessary. If that's all you have to offer as a writer, perhaps you're in the wrong job.
As far as what readers can expect with 'Maybe Someday,' I'm not the type of writer who writes to educate or inform my readers. I simply write to entertain them.
To call someone like me a writer-activist suggests that it's not the job of a writer to write about the society in which they live. But it used to be our job.
I'm excited to see Cassie's fans and how they react to the ending of 'Clockwork Princess!' I love hanging out with readers and seeing the energy readers bring to a room: seeing so many people united in imagination is going to be wonderful.
You want to be a writer? A writer is someone who writes every day, so start writing. You don't have a job? Get one. Any job. Don't sit at home waiting for the magical opportunity. Who are you? Prince William? No. Get a job. Go to work. Do something until you can do something else.
Books are just dead words on paper and it is the readers who bring the stories alive. Previously, writers wrote a book and sent it out into the world. A couple of months after publication letters from readers might arrive. And, leaving aside the professional reviews, it is really the reader's opinions that the writer needs. They vote for a book - and a writer - with their hard earned cash every time they go into a bookstore (or online - that's my age showing!) and buy a book.
I have a total responsibility to the reader. The reader has to trust me and never feel betrayed. There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers. And it's appropriate, because the writer is getting paid and the reader isn't.
On a more technical level, a story takes a lot of words. And to generate words and phrases and images and so on, that will compel the reader to continue reading - that stand a chance of really grabbing a reader - the writer has to work out of a place of, let's say, familiarity and affection. The matrix of the story has to be made out of stuff the writer really knows about and likes. The writer can't be stretching and (purely) inventing all the time. Well, I can't, anyway.
The most reward experience is having another writer come up to you and say that they started writing because they read my books. That is how writing as a profession continues: readers becomes writers who inspire new readers.
Then there was Clark Ashton Smith, who wrote for Weird Tales and who had a wild imagination. He wasn't a very talented writer, but his imagination was wonderful.
I dislike that premise implies that a fiction writer is incapable of dreaming up stories that can bring readers to tears, that if you are lucky enough to be living a pretty sedate life ,as I am, you've got nothing worthy of writing about, that you're incapable of making a reader's gut wrench.Frankly, that's what makes readers nervous, the sorcery of you or me or any good fiction writer making up characters who feel like real people, of telling a story that feels true but isn't.
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